Claire:
I鈥檓 here at Heathbrook Primary School in Lambeth, South London, where I鈥檝e been working with a fantastic Year 6 class and their teacher Bekki.
Bekki (teacher) to pupils:
The first thing I鈥檇 like you to do as our warm up is to use just one of your arms to make the shape of lightning.
Claire:
They鈥檙e just beginning to explore some dance movement ideas that are inspired by their work on the Blitz.
鈥
Claire:
Morning everyone! Love your lightning shapes. You鈥檙e doing brilliantly. Is there a way you could do these brilliant angles and jagged lines with two different body parts at the same time?
The plan here is to address the physical skills of dance and see whether the children can perform a wide range of actions and use dynamics to convey the idea of lightning. We鈥檙e looking for balance, control, co-ordination, flexibility and placement in their movements. The lesson is about improvisation here - exploring movement ideas.
That was a lovely stretch then. Like it - keeping it big.
Child:
Quick and sudden movement and then I went (demonstrates) with my elbow鈥
Bekki:
When I鈥檓 going round talking to the children and asking them to describe what they have been doing, what sort of things do I need them to be saying or listening out for?
Claire:
You鈥檙e going to hope that they鈥檙e going to describe the action, the jump, the turn, the travel, whatever it is, but also how they do the action. The dynamics in this case is really important. We鈥檙e looking for words like sharp, sudden, quick, brisk, all those kinds of words. We鈥檙e looking for words that describe the action, the space the dynamic, and sometimes even the relationship between them.
Bekki (to pupil):
Strong movements, fast movements! How else would you describe that kind of movement that you were making?
Pupil:
Edgy.
Bekki:
Edgy, that鈥檚 good. And then what about in relation to like how you are using the space?
Pupil:
We鈥檙e trying to make it like as big actions as possible.
Claire:
Allowing time for them to explore actions ensures they are each able to work at their own level. This will probably look 鈥榤essy鈥 but it鈥檚 no different to every child writing a different opening line to a story.
鈥
Bekki:
Can anyone remember the German word for 'lightning'?
Pupil:
Er, blitz.
Bekki:
Good, so remember blitz is the German word for lightning. Basically this was describing how heavily bombed the cities were during World War 2.
Claire:
Around the 1930鈥檚 and 40鈥檚, what sort of building do you think would have been around here?
Pupil:
Like churches?
Claire:
Churches.
Pupil:
Shops and schools?
Claire:
Shops and schools. One more.
Pupil:
Ammunition factories?
Claire:
I wasn鈥檛 expecting that idea but you鈥檙e absolutely right well done. OK, so you鈥檙e going to pick a building in that group and see if you can find a way of making that building with your bodies.
鈥
This is the next part of the lesson plan and like the lightning where the children were asked 鈥榃hat does it do?鈥 here the children are simply asked 鈥榃hat shape does it make?鈥 Both come directly from the work they have been doing on the Blitz.
Bekki:
When you get children to choose their groups, how do you do that so that someone鈥檚 not always left out?
Claire:
By having groups of different sizes it will mean that you don鈥檛 have that awkward situation of one child being left alone, but also choreographically, it will make it more interesting.
鈥
Claire:
So, the reason I stopped you at the moment is we need to think about how we are doing these safely. So who鈥檚 moving first, where are they going to, how are they getting down, to make sure we鈥檝e got people moving to the floor without the risk of injury. Does that sound sensible?
Class:
Yeah.
Claire:
So you need to have a conversation first before you get on and do it so you know who鈥檚 moving where.
鈥
Bekki:
Now you need to think which one鈥檚 the best, so where鈥檚 the first one?
Pupil:
That one looks weird because鈥
Pupil:
It鈥檚 really unstable because the tower.
Claire:
So is there something you want to change, that will make it more stable, make it easier for you to hold?
Pupil:
Maybe make it like wider鈥
Claire:
That would make a big difference.
Claire:
Hopefully by giving some real clear parameters on what they鈥檙e going to feed back on it will really help them improve either the shape that they鈥檙e making with their bodies, or how they鈥檙e working together.
Bekki:
Yeah, they were able to give that feedback that it led to an improvement.
鈥
Claire:
So, you鈥檝e now got the shape of a building. You鈥檙e going to use that now as your starting position. I want you now to imagine that some distance away, a couple of streets away, a bomb has dropped 鈥 a blitz has happened. What impact does that have on your building? Does your building just tremor? Does your building have some minimal damage? Or is it really impacted upon by it? Over to you please.
The lesson creates some great opportunities to develop the children鈥檚 physical skills. A Year 6 class, like this, should be using the whole body and they should also have a sense of the aesthetics of their shapes and balances.
Is it really going to cause that much damage?
Pupil:
No.
Claire:
Maybe less?
Pupil:
Maybe one side.
Pupil:
Like this side rocks.
Claire:
Yeah, you think?
Pupil:
3, 2, 1, Bomb drop!
Bekki:
In terms of moving this on, I guess is next鈥
Claire:
So we鈥檙e going to get them now to respond to the idea of different levels of impact happening, so as if the bomb鈥檚 getting closer. So they should then be able to manipulate and manage these shapes in different ways and we鈥檒l get different responses from them.
鈥
Bekki:
I鈥檝e seen some really nice shuddering and trembling and just thinking about more gentle movements, this time, there鈥檚 been a direct hit, not on your building but on a building next door. Now how will you change your movements but still remember the safety aspect of not just getting out of your position but getting into it. Okay?
Claire:
Hopefully the groups will respond with a significant change in shape suggesting that the building had been ruined. More capable groups may decide to show more than impact responses.
鈥
Bekki:
Think back to the beginning of the lesson, think about all the shapes you were making with your body to show all the lightning. So one group is doing the shapes of the lightning and then the other group thinks how that will impact on your building.
**Claire:
This is the next part of Bekki鈥檚 plan and the key learning outcome of the dance lesson: the use of question and answer, or call and response, as a choreographic relationship. **
鈥
Claire:
We鈥檝e put the buildings together with that blitz, but what we really need to see now is the different effect that the lightning has from how close or far away it is.
Claire:
So this dynamic that they鈥檙e doing for the lightning鈥
Bekki:
驰别辫鈥
Claire:
鈥ecause they haven鈥檛 done it since the beginning of the lesson, the warm up, they鈥檙e losing the quality of it now, and the 鈥榟ow鈥 they do an action communicates so much about what it is they鈥檙e trying to show. So bring that dynamics back in, the speed, the force, the actions.
Bekki:
驰别辫鈥
Claire:
And that really communicates well.
Claire:
So spread yourselves out, Blitz people. Come round here. You鈥檙e going to do me your sharpest, quickest, lightning move. You can use two different body parts. Go!
And stop! Hold still. Building react. Lightning, blitz go! And stop! Building react. That was so much better, well done. Cause and effect. Showed it really well there.
鈥
Claire:
Every time I clap my hands like this (Claps hands) I鈥檇 like to see your building crumble just a little. (Claps hands) And with every tremor (Claps hands) another bit (Claps hands) carefully (Claps hands) collapses (Claps hands) to (Claps hands) the floor.