Claire Pring:I鈥檓 here at Castle View Primary School in Matlock where I鈥檝e been working with a wonderful Year 5 class and their teacher Amie.
Amie:Can you find a different way that you can twist for me on the spot?
Claire:Today I鈥檝e come to see how they鈥檙e getting on with delivering and performing their dance based on an Aboriginal story.
Amie:Some lovely twisting there - nice big movements.
Caption: Warm Up ~ Mobility
Amie:Good morning, Claire.
Claire:Good morning, morning everybody.
Children:Morning!
Claire:Lovely to see you warming up already, are you twisting?
Children:Yeah!
Claire:Can you twist different parts of your body at the same time? Have a try. Got two arms going that way, I can see someone with legs twisting, very nice, twisting out to the sides.
Amie:Would you like to find yourself a partner and stand next to your partner but not so that you are touching.
Claire:So this time, you鈥檙e going to do your twisting actions near to your partner, but like we said, not touching them. So now you鈥檙e going to have to be very careful to twist maybe over them, under them, next to them, beneath them, around them. Let鈥檚 see what you come up with though.
Claire:We don鈥檛 think of a warm up as separate to the lesson 鈥 here we are preparing the children for the composition element of dance both physically and creatively.*
Claire:Brilliant. What about if you two tried doing it back to back. Ready for a challenge? You鈥檙e going to have to really be aware of each other now. Try it. Think about those different levels you can use, don鈥檛 always have to be high.
Amie:Are you going to twist round him? So make your movements work together, ooh you鈥檙e going to twist your body, lovely.
Amie:So what sort of timings would we want between the warm up and transitioning into the main part of the lesson?
Claire:As long as they鈥檝e had enough time to really mobilise their joints, get their heart rates up a little bit, and got some ideas going, after that we鈥檙e ready to go.
Claire:You twist that leg, yes, yes, yes, well done.
Claire:The learning in this lesson is that structuring a dance is similar to structuring a story.
Caption: Context ~ Application
Amie:I want you to have a think back to the aboriginal legend that we鈥檝e been thinking of about the firebird. And at the beginning of the story we saw Koimul who was protecting, he was guarding the fire wasn鈥檛 he the secret of the fire.
Claire:What words can you think of that connect with fire? What about things like the sound that fire makes
Pupil:Crackling.
Claire:Crackling.
Pupil:A spark.
Claire:Spark, that鈥檚 a beautiful word. Love that one. It has a real suddenness to it doesn鈥檛 it? A spark
Pupil:Like, a twisting sound.
Claire:A twisting sound that鈥檚 brilliant because that will go in with our twisting action.
Pupil:A flash from the spark.
Claire:Flash, again another sudden move. So what I want you to do know with your duets, with your lovely twisty movements, is think about some of those other fire words. The spark, the flash, a popping, yeah? Some sparking actions. Things that maybe give us a different speed, because twisting and stuff can often be quite slow and steady, but a sudden spark, will change it.
Claire:That was nice, I like the way your fingers exploded, and then, a bit like a firework, it dissolved. Nice.
Claire:That鈥檚 got a flickering quality to it, with your fingers going like that.
Claire:Ooh, love that little darting action with your hands there.
Caption: Creative Exploration ~ Complementary Actions
Amie:So we鈥檙e going to think now about the next part of our story. Why was it they couldn鈥檛 get the fire sticks off Koimul? Who thinks they can tell me?
Pupil:He was strong.
Amie:He was very strong wasn鈥檛 he that鈥檚 right. So one pair, you鈥檙e going to do your fire actions from before those lovely popping, sparking actions that we all saw added in there. The other pair you鈥檙e going to be the ones creeping up on the fire, sneaky, stealthy.
Claire:In these creative explorations get the children to change over so they experience both roles.
Caption: Creative Exploration ~ Dynamic Balances & Stretches
Claire:The Firebird. What does a firebird do?
Pupil:Soars through the sky
Claire:Soars, that鈥檚 a beautiful word, soars through the sky. So please could you stand on one foot, make sure you鈥檝e got enough room around you, and now imagine you鈥檙e going to use your arms like your wings to help you as you want to soar. Would you take the next minute to show me some beautiful flying balances.
Claire:It鈥檚 a good idea to set the task, then introduce the music quietly so it simply informs rather than leads the lesson 鈥 it sets a mood or atmosphere.
Claire:So if we use 鈥榝ind a way of鈥 it will be open to the children to find their own way of solving it, which will be more inclusive, it stretches their imaginations more and it just is more inventive.
Amie:So now we鈥檝e thought about our Wirrit-wirrit bird year five, we鈥檙e going to think about how we can have that action of the Wirrit-wirrit bird scooping down, okay, to collect those fire sticks.
Claire:You鈥檙e also able to just travel a bit so you might, every time you change foot, go in a different direction.
Claire:These are contrasting dynamics 鈥 it鈥檚 how you do the movements that matters 鈥 we鈥檙e encouraging the children to be light and free when they are flying but strong and fast when they swoop down to snatch the fire sticks.
Amie:Occasionally you鈥檙e swooping.
Caption: Composition ~ Structure
Claire:The sections of the story we鈥檝e covered include 鈥 the fire, guarding the fire, is that what you were going to say? Sorry. What else?
Pupil:The Wirrit-wirrit bird.
Claire:The Wirrit-wirrit bird, and also the鈥?
Pupil:Is it swooping?
Claire:Swooping, it is. So we鈥檝e got four different sections. And we鈥檝e done them in the order they come in the story. Do you have to do them in that order? If we were going to do them in a dance? Don鈥檛 have to do you? A bit like a poem really, you鈥檙e allowed to put things in a random order sometimes, and juggle up the order we鈥檙e going to put them in. And that鈥檚 what you鈥檙e about to do.
Amie:So how would we differentiate this part for those children that are finding it more challenging?
Claire:We鈥檝e got four ideas, so of course you can always drop down to three ideas, they can select their favourite three and just use those, so you might want to take some of the harder, more challenging bits out. And for more able students you could say 鈥榦kay, one of the ideas you鈥檝e got to have in there more than once, you鈥檝e got to repeat an idea鈥, so they can build it up.
Caption: Performance ~ Analysis
Claire:It is key to give the observers something to look for instead of inviting general feedback. Overall they should focus on what is eye catching and makes the dance more interesting for the audience.
Amie:You鈥檝e got some lovely arm movements there, I like the way you鈥檙e twisting them in lots of different ways, higher and lower. So have you got all of those sections that you need? So now you鈥檙e going to go back into your Wirrit-wirrit bird?
Pupil:All of us would go in there at the exact same time in a big line like that.
Pupil:Yeah.
Amie:So you felt like you were in time?
Pupil:Like a line.
Claire:Okay so, we have a really nice start there with you doing a beautiful turn, but actually, just at the moment it looks a bit busy, doesn鈥檛 it? There鈥檚 a lot going on, and the audience kind of don鈥檛 know what to watch. We just need to just use your -
Pupil:Slow down.
Claire:You can slow down a bit, yep. You need to stay in the same spot, yep. And you need to keep that lovely beginning bit that you鈥檝e got.
Caption: Cool Down ~ Air Patterns
Amie:We鈥檙e going to move on to cooling down now. And I want you to think about the end of the story, and at the end of the story, when they鈥檝e got the fire, and Koimul decides that he鈥檚 going to become a crocodile and he goes off into the river. You can choose to be either the water ripples or the smoke.
Claire:So how do you feel that went?
Amie:Really well, there was some really lovely feedback from each of them to their peers about how they felt things had gone, and ways they could improve their movements. Tablets were really useful for them to give that feedback to each other, and for them to use that assessment going forward in the next lesson.
Amie:Now I鈥檓 going to ask quietly, a few at a time for you to go and put your shoes and socks on. So when I point to you, you can go and put your shoes on.