The third episode explores Classical music and its emphasis on elegance, balance and beauty. The composers included are Haydn, Mozart and Beethoven.
The video
3. The Classical period
The Classical period extends from about 1750 to about 1810 and two of the 鈥榞iants鈥 of classical music are Haydn and Mozart. Music has developed dramatically since the Medieval period and now there are countless contrasting styles of composition such as symphonies, concertos, solo pieces, quartets and opera.
Naomi introduces an excerpt from the opera The Magic Flute by Austrian composer Wolfgang Amadeus Mozart (1756-1791). We hear two voices: a soprano (a high female voice) and a baritone (a low male voice). An opera tells a story: it is a dramatic work in one or more acts, set to music for singers and instrumentalists. Here the baritone part is that of Papageno - half man, half bird. Papageno works for the Queen of the Night, catching birds. We hear him singing with the character Papagena.
Naomi then explores the difference between the harpsichord and the piano and explains how the number of instruments available to composers expanded at this time, with the invention of new instruments such as the clarinet. The development of instrumental technology had an influence too, allowing for greater expression, a greater range of timbres and a greater contrast in dynamics. Orchestras increased in size and offered composers ever increasing opportunities for the range of sound created.
We hear a clip from a symphony by Joseph Bologne (1745-1799), a contemporary of Mozart. The symphony was a very important form during the Classical period. A symphony is a large-scale orchestral work and is usually in four movements. The clip we hear is from the first movement entitled 鈥楢llegro鈥, which an Italian musical term meaning 鈥榝ast鈥.
In contrast, the string quartet has only four instruments: two violins, a viola and a cello. Franz Joseph Haydn (1732-1809) is the German composer of 鈥楾he Rider鈥, a quartet beginning with a dark, dramatic gallop. Naomi explains that Haydn wroteover 60 quartets and that one of his innovations was to explore giving not just the first violin a leading role, but dividing the melodies more equally between all the instruments.
The video ends with Ludwig van Beethoven (1770-1827) and his Symphony Number 5. We discover that German composer Beethoven was a ground-breaker, who pushed boundaries. The music is powerful and emotional; the key is C minor, creating a dark, foreboding sound.
Teacher Notes
Using a piece of string marked out in centuries from 1100 to the present day, cut out the names or pictures of the composers studied and peg them onto the timeline. This will help children to form a sense of chronology. If you did this for the first and second videos, you can add to it. Also peg on the names given to the different eras of music studied so far: Medieval (1100-1400), Renaissance (1400-1600), Baroque (1600-1750), Classical (1750-1810).
Explore the resources at Ten Pieces to delve deeper into the Symphony by Joseph Bologne.
Look at the clip of the orchestra playing the Symphony by Bologne. Can pupils identify the different instruments such as violin, viola, cello, double bass, oboe, French horn?
Explore the resources at Ten Pieces to delve deeper into the Symphony No 5 by Beethoven.
The opening of the Beethoven is dominated by a short four note motif. Can pupils identify this and how it keeps recurring?
Use the musical elements/interrelated dimensions as headings. Can you select one of the pieces of music listened to and describe it using these headings? Or can you select one heading, such as dynamics, and compare the dynamics of each of themusic clips in the video. Headings you might choose to consider might include:
pitch (how high/low the music is)
dynamics (whether the music is quiet or loud)
tempo (if the music is fast or slow)
timbre (the quality of tone, or sound of the instrument - is it brassy, dull, sparkly, etc)
texture (is there one line, or many parts)
duration (can you feel a driving pulse? can you pick out a repeated rhythm?)
structure might also be relevant - although hard to pick out on such short clips - for example, in a song are there verses?
This episode will be relevant for teaching Music at KS2 in England, Wales and Northern Ireland. Also, Second Level P5-P7 level in Scotland.
It covers listening and appraising, enabling children to develop a sensitivity to and understanding of music from varied genres, styles and different times. Children are encouraged to build a sense of chronology and begin to understand how music changed over time by listening with attention to detail to a variety of music written by the great composers.
Resources
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A timeline of the composers