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Altering proportions

Not all compositions are based on realistic proportions. Some artists and designers experiment with altering proportions to create distinctive works.

Walking Man I, Alberto Giacometti, 1960, bronze, The Estate of Alberto Giacometti / Bridgeman Images
Image caption,
Walking Man I, Alberto Giacometti, 1960, bronze, The Estate of Alberto Giacometti / Bridgeman Images

Alberto Giacometti鈥檚 statues use stretched proportions to show tall thin figures, like in Walking Man I (1960).

Giacometti stripped away as much clay as possible from his models to try and gain a better understanding of real human forms.

The slender proportions of his sculptures draw attention to the space around them and create a sense of separation and distance between the viewer and the isolated figures portrayed.

Walking Man I, Alberto Giacometti, 1960, bronze, The Estate of Alberto Giacometti / Bridgeman Images
Image caption,
Walking Man I, Alberto Giacometti, 1960, bronze, The Estate of Alberto Giacometti / Bridgeman Images
Young Woman, Amedeo Modigliani, 1918, oil on canvas,Heritage Image Partnership Ltd / Alamy Stock Photo
Image caption,
Young Woman, Amedeo Modigliani, 1918, oil on canvas, Heritage Image Partnership Ltd / Alamy Stock Photo

Amadeo Modigliani鈥檚 portraits often show elongated proportions. Here the sitter鈥檚 face has been stretched to a long oval and the neck appears like a long slim column.

Stretching the woman鈥檚 head makes it similar in shape to her eyes. The high arch of the top of her head is matched by the curve of her shoulders.

The overall effect of these repeated elongated curves is to make the woman seem elegant and graceful.

Young Woman, Amedeo Modigliani, 1918, oil on canvas,Heritage Image Partnership Ltd / Alamy Stock Photo
Image caption,
Young Woman, Amedeo Modigliani, 1918, oil on canvas, Heritage Image Partnership Ltd / Alamy Stock Photo