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Orientation

Orientation refers to the direction of lines. They could be vertical, horizontal or diagonal.

Lines can be used in art and design to help guide your eye around a painting, or to create a sense of balance and structure. Deliberate use of horizontal, vertical and diagonal lines can help to create a focal point. They can also help to suggest depth and a sense of perspective.

Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, Utagawa Kuniyoshi, c.1834, woodblock print
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Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, Utagawa Kuniyoshi, c.1834, woodblock print

Shower on the Bank of the Sumida River at Ommaya Embankment in Edo (Utagawa Kuniyoshi, 1834) has vertical lines that direct the viewer鈥檚 eye down to the people walking by the river.

The horizontal lines of the bank itself also adds to the sense of movement, leading our eyes back and forward between the people rushing along under umbrellas.

Ben Ledi, Early Spring Sir David Young Cameron, 1914, oil on canvas
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Ben Ledi,Early Spring Sir David Young Cameron, 1914, oil on canvas

The horizontal lines in Ben Ledi, Early Spring (Sir David Young Cameron, 1914) create a sense of rest and space.

They suggest a flat landscape stretching out beyond the frame.

These calm lines help emphasise the mountain that rises behind them in the distance.

Ben Ledi, Early Spring Sir David Young Cameron, 1914, oil on canvas
Image caption,
Ben Ledi,Early Spring Sir David Young Cameron, 1914, oil on canvas
Design from Nouvelles Compositions Decoratives, Serge Gladky, c. late 1920s, pochoir print
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Design from Nouvelles Compositions Decoratives, Serge Gladky, c. late 1920s, pochoir print

This print design from Nouvelles Compositions Decoratives by Serge Gladky (c.1920s) is entirely made up of diagonal lines and shapes.

The diagonals lead in different directions and there is no focus for the viewer鈥檚 eye to rest on.

This shows how diagonal lines can be used to create a sense of movement, energy or even uneasiness.

Design from Nouvelles Compositions Decoratives, Serge Gladky, c. late 1920s, pochoir print
Image caption,
Design from Nouvelles Compositions Decoratives, Serge Gladky, c. late 1920s, pochoir print
Argyle chair, Charles Rennie Mackintosh, 1903-1905
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Argyle chair, Charles Rennie Mackintosh, 1903-1905

Lines are often used in design for decoration, or to imply structure and strength.

This high back Argyle Chair (Charles Rennie Mackintosh, 1903-1905) has short horizontal lines and two thick vertical lines that make the chair appear strong and sturdy.

The thinner lines at either side of the back add a feeling of lightness and elegance.

Argyle chair, Charles Rennie Mackintosh, 1903-1905
Image caption,
Argyle chair, Charles Rennie Mackintosh, 1903-1905