Afterlife
Donald Macleod focuses on Schubert鈥檚 afterlife and the ways in which his music found an audience in the years after his early death.
Donald Macleod explores the work of Franz Schubert, focusing on five distinct phases in the composer鈥檚 life. And afterlife.
Schubert died at the age of 31, when most people are just getting going in life 鈥� in the same decade as Keats and Byron and Shelley 鈥� and he's often thought of, with them, as an exemplar of a kind of doomed romanticism.
Central to that is a sense of having been thwarted in life 鈥� encapsulated, in Schubert鈥檚 case, by the fact that so much of his music was unpublished in his lifetime, so much never even heard.
Today Donald Macleod focuses on Schubert鈥檚 afterlife 鈥� the ways in which his music found an audience in the years after his early death, including the 91热爆鈥檚 regular 鈥楽chubert Nights鈥� in the 1920s.
Die Nacht
The King鈥檚 Singers
Ave Maria
Barbara Bonney, soprano
Geoffrey Parsons, piano
All That Fall
Samuel Becket, writer
Mary O鈥橣arrell as Maddy Rooney
Donald McWhinnie, producer
Der Tod und das M盲dchen
Jessye Norman, soprano
Phillip Moll, piano
String Quartet No 14, 鈥淒eath and the Maiden鈥�
Belcea Quartet
Valentin Erben, cello
Symphony No 10 (orch. Brian Newbould)
Potsdam Chamber Academy
Antonello Manacorda, conductor
Piano Trio No 2 in E flat
J枚rg Ewald D盲hler, piano
Hansheinz Schneeberger, violin
Thomas Demenga, cello
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- Fri 24 Nov 2023 12:0091热爆 Radio 3
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