91Èȱ¬

String bands, hoedowns, square dances, old-time fiddle and banjo styles, these sounds were a dominant strand in African American roots music from the 17th century onwards. Despite this, many people think that such music comes solely from dungaree-wearing, white rural folk. Country might appear to be the whitest of all music genres, but it has some surprising roots.

How have these black roots been whitewashed from the history of American folk and country music? How have folk and country been positioned as white genres? What does black Americana sound like today?

In this episode, acclaimed musician Rhiannon Giddens explores bluegrass music in Kentucky, the history of the banjo and the story of Arnold Shultz.

For many listeners of bluegrass, the story of this music begins in December 1945, when ‘Father of Bluegrass’ Bill Monroe brought his band on stage at the Grand Ole Opry. Yet, Bill Monroe always acknowledged the black fiddler and guitarist Arnold Shultz as one of his major influences. Rhiannon explores how African American musicians like Shultz were often mentors to white country stars of the time.

Featuring Joshua Bronnenberg, Dr Richard S. Brown, Dr. Erika Brady, Dom Flemons, Dr Andrew Rhinehart and Tray Wellington.

Presented by Rhiannon Giddens
Produced by Tom Woolfenden
A Loftus Media production for 91Èȱ¬ Radio 4