Main content

Eat to the Beat

An enticing meal exploring the connections between food and music, including the links between recipes and musical scores, and as the ultimate signifiers of a longed-for homeland.

What have a Mahler symphony and a recipe for saut茅ed kidneys got in common? Why do refugees and other displaced people take food and music with them when they are forced to leave their homeland? How do today's Spotify restaurant playlists and their 18th-century equivalents compare? Can you play in an orchestra and then eat your instruments?

Tom Service and anthropologist Jonathan H Shannon have the answers.

David Papp (producer)

Available now

29 minutes

Last on

Fri 8 Oct 2021 16:30
91热爆 Radio 3

More episodes

Previous

Out of Tune

Next

The timeless power of contemporary choral music

See all episodes from The Listening Service

Music Played

  • Ousley

    MEMPHIS SOUL STEW

    Music Arranger: N/A. Performer: King Curtis.
    • WARNER.
    • 9548-33340-2.

  • (COMPOSER) UNKNOWN

    Nassam 'Alayna al-Hawa

    Performer: Syrian musicians, Taksim Meydani.

  • Wolfgang Amadeus Mozart

    Serenade in B flat major K.361 for 13 wind instruments

    Performer: Linos Ensemble.
    • CAPRICCIO.
    • C10472.

  • (COMPOSER) UNKNOWN

    Whimsical Impasse

    Performer: Jazzaphonics.
    • LG / Jazz Caf茅.
    • unknown.

  • Gustav Mahler

    Symphony no. 7

    Conductor: Sir Simon Rattle. Performer: Berliner Philharmoniker.
    • BERLINER PHILHARMONIKER.
    • BPHR2003646.

  • Wolfgang Amadeus Mozart

    Serenade in G major K.525 'Eine Kleine Nachtmusik'

    Orchestra: Tafelmusik. Conductor: Bruno Weil.
    • SONY.
    • G010001222769P.

  • Wolfgang Amadeus Mozart

    Serenade in E flat major K.375 vers. for wind octet

    Performer: Chamber Orchestra of Europe Wind Soloists.
    • Warner Classics.
    • 2564608662.

  • Wolfgang Amadeus Mozart

    Serenade in D major K.250 (Haffner)

    Conductor: Michael Alexander Willens. Performer: Alexander Janiczek. Performer: Cologne Academy.
    • BIS.
    • BIS2394.

  • Wolfgang Amadeus Mozart

    Don Giovanni - opera in 2 acts K.527

    Conductor: Ren茅 Jacobs. Performer: Johannes Weisser. Performer: Lorenzo Regazzo. Performer: Freiburg Baroque Orchestra.
    • Harmonia Mundi.
    • HMC 901964/66.

  • Georg Philipp Telemann

    Quartet in G major TWV.43.G1 for flute, oboe, violin and continuo [Tafelmusik, 1ere production]

    Performer: Freiburg Baroque Orchestra.
    • Harmonia Mundi.
    • HMC902042.25.

  • Georg Philipp Telemann

    Overture (Suite) in D major [Tafelmusik, seconde production]

    Performer: Freiburg Baroque Orchestra.
    • HARMONIA MUNDI.
    • HMC-902042.45.

  • Coffee House Classics

    Stains of Time

    • LG Sounds / Coffee House Classics.
    • unknown.

  • Roman Palomar

    El Mariachi Loco

    Performer: Mariachi Vargas de Tecalitl谩n.
    • UNIVERSAL/ISLAND DEF JAM.
    • unknown.

  • Traditional

    Ya Mal Al Sham

    Performer: Sabah Fakhri.
    • Voix de L'Orient.
    • unknown.

  • Hellopsychaleppo

    Badawiya Lovin'

    • L.P.R. Let's Play Records.
    • unknown.

  • The Vegetable Orchestra

    Green Days

Broadcasts

  • Sun 3 Oct 2021 17:00
    91热爆 Radio 3
  • Fri 8 Oct 2021 16:30
    91热爆 Radio 3

Why do we call it 'classical' music?

Tom Service poses a very simple question (with a not-so-simple answer).

Six of the world's most extreme voices

From babies to Mongolian throat singers: whose voice is the most extreme of all?

How did the number 12 revolutionise music?

How did the number 12 revolutionise music?

How Schoenberg opened a new cosmos for composers and listeners to explore.

Why are we all addicted to bass?

Why are we all addicted to bass?

Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.

Watch the animations

Join Tom Service on a musical journey through beginnings, repetition and bass lines.

When does noise become music?

We like to think we can separate 鈥渘oise鈥� from 鈥渕usic鈥�, but is it that simple?

Podcast