The Heist
Mark reveals the cinematic tricks and techniques used to create classic heist movies, from The Asphalt Jungle to Ocean鈥檚 Eleven, The Italian Job to Baby Driver.
Mark Kermode continues his fresh and very personal look at the art of cinema by examining the techniques and conventions behind classic film genres, uncovering the ingredients that keep audiences coming back for more.
Tonight it鈥檚 the turn of the Heist movie, with its unique combination of suspense and action. Whether it鈥檚 the big bank job or netting a fortune in diamonds, why, asks Mark, do otherwise law-abiding audiences find themselves rooting for robbers and even killers? More than any other genre, the Heist movie plays with our sympathies, encouraging us to identify with characters we鈥檇 run a mile from in real life.
From The Asphalt Jungle to Ocean鈥檚 Eleven by way of The Italian Job and even The Wrong Trousers, Mark shows how recurring character types, such as the Mastermind, and sequences like the Planning scene and the Getaway, draw us in to the big score. And he demonstrates how recent hits like Inception, The Wolf of Wall Street and Baby Driver have pushed the conventions of the Heist in thrilling new directions. At the box office, at least, crime really does pay.
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Music Played
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Danny Elfman
Dead Presidents Theme
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The Ramsey Lewis Trio
The In Crowd (Bohemian Caverns, 1965)
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DEVO
Uncontrollable Urge
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Michael Fall
Buy Or Die
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DJ Shadow
Long Stem
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Christopher Young
Rota Rooter
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The Jon Spencer Blues Explosion
Bellbottoms
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Mint Royale
Blue Song
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The Damned
Neat, Neat, Neat
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Focus
Hocus Pocus
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Claude Debussy
Clair de Lune
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Eugene Ormandy, The Philadelphia Orchestra, Philadelphia Orchestra
Clair De Lune From Suite Bergamasque
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Curtis Mayfield
Right On For The Darkness
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Isaac Hayes
Walk On By
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Isaac Hayes
Walk On By
Credits
Role | Contributor |
---|---|
Presenter | Mark Kermode |
Executive Producer | Richard Bright |
Executive Producer | John Das |
Broadcasts
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