Orientalism and the Music of Elsewhere
Tom Service unpicks western music's debt to the exotic and asks when western music itself can be exotic. The second of three companion programmes to TV's Civilisations series.
In the second of three companion programmes to 91热爆 TV's Civilisations series, Tom Service unpicks western music's debt to the exotic and ponders the allure of western music for other cultures.
Reflecting contemporary attitudes and trends in fashion and the arts, the exotic has long cast its spell on western composers. Mozart catered to the 18th-century Viennese craze for all things Turkish; in 19th-century France the exotic stretched east to Indonesia and Japan. More recently, the music of Africa has attracted the likes of Steve Reich and Gy枚rgy Ligeti. And 150 years ago, as Japan opened up to outside influences, western culture became suddenly desirable in the east, with profound and lasting consequences. But what does it take to make the exotic in music more than a titillating and imperialist added extra?
Including contributions from composer Unsuk Chin, and cultural historian of Japan, Jonathan Service.
David Papp (producer).
Last on
More episodes
Previous
Next
Is Music a Universal Language?
Listen to the third in our Civilisations series
Music Played
-
Wolfgang Amadeus Mozart
Piano Sonata in A major (K.331): III. Alla turca (Allegretto)
Performer: Sir Andr谩s Schiff.- Decca.
-
Ludwig van Beethoven
Symphony No. 9 in D minor, Op. 125 'Choral': IV. Finale: Presto - Allegro assai
Performer: Minnesota Orchestra. Performer: Osmo V盲nsk盲.- BIS.
-
L茅o Delibes
Lakme, Act 2: "Ah! Par les dieux inspires...Ou va la jeune hindoue..."
Performer: Natalie Dessay. Performer: Orchestre national du Capitole de Toulouse. Performer: Michel Plasson.- Warner Classics.
-
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship
Performer: Royal Concertgebouw Orchestra. Performer: Kirill Kondrashin.- Phillips.
-
Ron Goodwin
One of Our Dinosaurs is Missing - Opening Credits
Performer: Unknown.- TBA.
-
David Bowie
China Girl
Composer: Iggy Pop. Performer: David Bowie.- EMI.
-
Paul Simon
Diamonds on the Soles of Her Shoes
Performer: Ladysmith Black Mambazo. Performer: Paul Simon.- Warner Bros. Records.
-
Albert Ket猫lbey
From a Japanese Screen
Performer: Noriko Ogawa.- BIS.
-
Traditional
Gadhung Mlati
Performer: Unnamed Javanese musicians.- ARC.
-
Claude Debussy
3 Estampes - 1. Pagodes
Performer: Sir Stephen Hough.- Hyperion.
-
Traditional
Hotaru no hikari (Fireflies聮 Light)
Performer: Unnamed choir and pianist.- TBA.
-
Traditional
Tsurukame (Crane and Tortoise)
Performer: Sada Yakko.- Berliner Phonogramm Archiv.
-
Gyorgy Ligeti
Etudes for piano, Book 1 - No.1 Desordre
Performer: Fredrik Ull茅n.- BIS.
-
Traditional
Enanga harp music
Performer: Unnamed enanga player.- Saydisc.
-
Traditional
Oyagala Nkole Ntya
Performer: Ssaza Chief Kago. Performer: Danieri Seruwaniko.- SWP Records.
-
Gyorgy Ligeti
Etudes for piano, book 1 - No.1 Desordre
Performer: Fredrik Ull茅n.- BIS.
-
Unsuk Chin
Su for sheng and orchestra
Performer: Wu Wei. Performer: Seoul Philharmonic Orchestra. Performer: Myung-Whun Chung.- Deutsche Grammophon.
-
Traditional
Amadina solo
Performer: Unnamed players.- Orcora.
Broadcast
- Sun 1 Apr 2018 17:0091热爆 Radio 3
Why do we call it 'classical' music?
Tom Service poses a very simple question (with a not-so-simple answer).
Six of the world's most extreme voices
From babies to Mongolian throat singers: whose voice is the most extreme of all?
How did the number 12 revolutionise music?
Why are we all addicted to bass?
Watch the animations
Join Tom Service on a musical journey through beginnings, repetition and bass lines.
When does noise become music?
We like to think we can separate 鈥渘oise鈥 from 鈥渕usic鈥, but is it that simple?
Podcast
-
The Listening Service
An odyssey through the musical universe, presented by Tom Service