Main content

The Listening Service at Free Thinking

Tom Service explores the idea of polyphony - a musical democratic utopia? Or are some voices always going to be more equal than others? Live at the Free Thinking Festival.

Tom Service explores the idea of polyphony - many voices, of equal importance, independent of each other and yet essential to the greater whole. A musical democratic utopia? Or are some voices always going to be more equal than others?
Taking the theme of this year's festival "the one and the many", Tom asks what singing together as one, and yet in different parts and voices, tells us about ourselves and our relationships with each other.
Live at the Free Thinking Festival at Sage Gateshead with the festival house choir, "Voices of Hope".

Available now

30 minutes

Last on

Sun 11 Mar 2018 17:00
91热爆 Radio 3

More episodes

Previous

The French Horn Unwound

Next

Searching for Paradise

See all episodes from The Listening Service

Music Played

  • Giovanni Pierluigi da Palestrina

    Assumpta est Maria a 5

    Performer: The Sixteen.
    • CORO.

  • Johann Sebastian Bach

    Mass (BWV.232) in B minor, Pt.2; Cum sancto Spiritu [chorus]

    Performer: Dunedin Consort and Players. Performer: John Butt.
    • LINN.

  • Judith Weir

    Ave Regina Caelorum

    Choir: Choir of Merton College, Oxford. Choir: Choir of Merton College, Oxford. Conductor: Benjamin Nicholas. Conductor: Benjamin Nicholas.
    • Delphian.

  • Traditional

    Zhalba za Lazar

    Performer: Bulgarian State Television Female Vocal Choir.
    • Elektra Nonesuch.

  • Traditional

    Mravalzhamier

    Performer: Ensemble Basiani.
    • Radio France.

  • Traditional

    Plainchant: Veni creator

    Performer: Cistercian Monks Of Stift Heiligenkreuz.
    • UCJ Music.

  • Brian Ferneyhough

    Missa Brevis : Kyrie

    Performer: Exaudi. Performer: James Weeks.
    • NMC.

  • Traditional

    Rex caeli, Domine maris (Musica enchiriadis)

    Performer: Capella Antiqua M眉nchen. Performer: Konrad Ruhland.
    • RCA.

  • Traditional

    Miserere Dominum - Kyrie trop茅 (Winchester Troper)

    Performer: Discantus. Performer: Brigitte Lesne.
    • Aeon.

  • William Byrd

    Mass for Four Voices 聳 Kyrie

    Performer: Voices of Hope. Performer: Mark Edwards.
    • LIVE PERFORMANCE.

  • Thomas Tallis

    If Ye Love Me

    Performer: Voices of Hope. Performer: Mark Edwards.
    • LIVE PERFORMANCE.

  • Franz Schubert

    Trinklied im Mai, D.427

    Performer: Arnold Schoenberg Chor.
    • Teldec.

  • Johannes Brahms

    4 Songs for women's voices, Op.17: No.3; Der Gartner (Wohin ich geh und...)

    Performer: LSO Symphony Choir.
    • Virgin.

  • Charles Villiers Stanford

    The Bluebird

    Choir: Tenebrae. Conductor: Nigel Short.
    • Signum.

  • George T Smart

    The Squirrel

    Performer: Pro Cantione Antiqua.
    • Conifer.

  • Sylvia Lim

    Paper Wings and James Week聮s Echoing Green

    Performer: COMA Singers. Performer: Janet Oakes.
    • PRIVATE RECORDING.

  • James Weeks

    Echoing Green

    Performer: COMA Singers. Performer: Janet Oakes.
    • PRIVATE RECORDING.

Broadcast

  • Sun 11 Mar 2018 17:00
    91热爆 Radio 3

Why do we call it 'classical' music?

Tom Service poses a very simple question (with a not-so-simple answer).

Six of the world's most extreme voices

From babies to Mongolian throat singers: whose voice is the most extreme of all?

How did the number 12 revolutionise music?

How did the number 12 revolutionise music?

How Schoenberg opened a new cosmos for composers and listeners to explore.

Why are we all addicted to bass?

Why are we all addicted to bass?

Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.

Watch the animations

Join Tom Service on a musical journey through beginnings, repetition and bass lines.

When does noise become music?

We like to think we can separate 鈥渘oise鈥� from 鈥渕usic鈥�, but is it that simple?

Podcast