Endings
Tom Service explores how pieces of music end, asking what endings mean. Are they mere framing devices or do they suggest triumph or death? Plus fading-out in pop music.
Tom Service looks at how pieces of music end, and asks what endings mean. Are they mere framing devices, or can they suggest weightier thoughts of triumph, or conversely, of death? And what of the fading away so prevalent in pop music? From Beethoven's insistent affirmations to Tchaikovsky's bleak despair, from Haydn's witty farewells to Human League's intimations of eternity, the ways that music ends are as various as music itself.
Last on
More episodes
Tom Service salutes memorable finales 鈥 from Beethoven to The Human League.
Music Played
-
Wolfgang Amadeus Mozart
Symphony No. 41 in C major, K. 551 "Jupiter" - finale
Orchestra: Berliner Philharmoniker. Conductor: Sir Simon Rattle. -
Pyotr Ilyich Tchaikovsky
Symphony No 4 in F minor, Op 36 (4th mvt)
Orchestra: Oslo Philharmonic Orchestra. Conductor: Mariss Jansons.- Tchaikovsky: Symphonies 1, 2, 3 & 4: Oslo PO, Mariss Jansons.
- Chandos.
- 4.
-
Johann Sebastian Bach
Gloria (Mass in B minor)
Ensemble: Dunedin Consort. Director: John Butt.- J. S. Bach, Mass in B minor: Dunedin Consort and Players.
- Linn.
- 4.
-
Ludwig van Beethoven
Symphony No 8 in F major, Op 93 (4th mvt)
Orchestra: Sydney Symphony Orchestra. Conductor: Jos茅 Serebrier.- Symphony no.8 - Beethoven & Dvorak.
- TRAX CLASSIQUE.
- 8.
-
Edward Elgar
Cello Concerto in E minor, Op 85 (4th mvt)
Performer: Jacqueline du Pr茅. Orchestra: London Symphony Orchestra. Conductor: John Barbirolli.- EMI.
-
Johannes Brahms
Symphony No 2 in D major, Op 73 (4th mvt)
Orchestra: Los Angeles Philharmonic. Conductor: Carlo Maria Giulini.- Giulini in America: Los Angeles Philharmonic/Giulini.
- Deutsche Grammaphon.
- 4.
-
John Adams
Grand Pianola Music
Performer: London Sinfonietta. Performer: John Adams.- Elektra nonesuch.
-
Ludwig van Beethoven
Symphony No. 5 in C Minor, op. 67
Performer: Concentus Musicus Wien. Performer: Nikolaus Harnoncourt.- Beethoven Symphonies 4 & 5.
- Sony.
-
Ludwig van Beethoven
Piano Sonata No. 8 in C minor, op. 13 'Pathetique'; Grave
Performer: Maurizio Pollini.- Deutsche Grammophon.
-
Dudley Moore
Fantasy on Colonel Bogey
Performer: Dudley Moore.- British Comedy Classics.
- EMI.
-
Pyotr Ilyich Tchaikovsky
Symphony No. 6 op. 74 Pathetique
Performer: Russian National Orchestra. Performer: Mikhail Pletnev.- Virgin Classics.
-
Joseph Haydn
Symphony No 45 in F sharp minor, 'Farewell' (4th mvt)
Orchestra: Academy of Ancient Music. Conductor: Christopher Hogwood.4437772
- L'Oiseau-Lyre.
-
Jean Sibelius
Symphony No 5 in E flat major, Op 82 (3rd mvt)
Orchestra: Berliner Philharmoniker. Conductor: Herbert von Karajan.- DG.
-
Jean Sibelius
Symphony No 6 in D minor, Op 104
Orchestra: 91热爆 Philharmonic. Conductor: John Storg氓rds.- Chandos.
-
Giorgio Moroder & Philip Oakey
Together In Electric Dreams
- Together in Electric Dreams.
- Virgin Records.
-
Bull of Heaven
022: Man-Lizards, Masters of Venus
Performer: Bull of Heaven.- https://archive.org/details/022--Man-lizardsMastersOfVenus.
-
Luciano Berio
Sinfonia; O King
Performer: Electric Phoenix. Performer: Orchestre de Paris 鈥 Philharmonie. Performer: Semyon Bychkov.- Philips.
-
Harrison Birtwistle
Carmen Arcadiae Mechanicae perpetuum
Performer: London Sinfonietta. Performer: Elgar Howarth.- Harrison Birtwistle - Secret Theatre.
- NMC.
-
Mauricio Kagel
Finale
Performer: Ensemble Modern. Performer: Mauricio Kagel.- Mauricio Kagel 3.
- Disques Montaigne.
Broadcasts
- Sun 7 May 2017 17:0091热爆 Radio 3
- Sun 12 May 2019 17:0091热爆 Radio 3
- Fri 17 May 2019 16:3091热爆 Radio 3
- Fri 31 Dec 2021 16:3091热爆 Radio 3
Why do we call it 'classical' music?
Tom Service poses a very simple question (with a not-so-simple answer).
Six of the world's most extreme voices
From babies to Mongolian throat singers: whose voice is the most extreme of all?
How did the number 12 revolutionise music?
Why are we all addicted to bass?
Watch the animations
Join Tom Service on a musical journey through beginnings, repetition and bass lines.
When does noise become music?
We like to think we can separate 鈥渘oise鈥 from 鈥渕usic鈥, but is it that simple?
Podcast
-
The Listening Service
An odyssey through the musical universe, presented by Tom Service