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The Names of the Bridges

Poets Michael Symmons Roberts and Paul Farley interrogate the myth of the doomed poet. Today they explore the lives - and suicides - of John Berryman and Sylvia Plath.

What is the cost of poetry? Must poets be melancholic, doomed and self-destructive? Or is this just a myth? In our new Book of the Week, Michael Symmons Roberts and Paul Farley - both award winning poets themselves - explore that very question through a series of journeys across Britain, America and Europe.

From Thomas Chatterton's Pre-Raphaelite demise to Dylan Thomas's eighteen straight whiskies, the deaths of poets have often cast a backward shadow on their work.

The post-Romantic myth of the dissolute drunken poet - exemplified by Thomas and made iconic by his death in New York - has fatally skewed the image of poets in our culture. Novelists can be stable, savvy, politically adept and in control, but poets should be melancholic, doomed and self-destructive. Is this just a myth, or is there some essential truth behind it: that great poems only come when a poet's life is pushed right to an emotional knife-edge of acceptability, safety, security?

Today the poets explore the lives - and suicides - of John Berryman and Sylvia Plath.

Written and read by the authors
Abridged for radio by Lauris Morgan Griffiths
Produced by Simon Richardson.

15 minutes

Credits

Role Contributor
Reader Michael Symmons Roberts
Reader Paul Farley
Author Michael Symmons Roberts
Author Paul Farley
Abridger Lauris Morgan Griffiths
Producer Simon Richardson

Broadcasts

  • Tue 21 Feb 2017 09:45
  • Wed 22 Feb 2017 00:30

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