Main content
Sorry, this episode is not currently available

Donald Macleod focuses on Ivor Gurney's final years, marked by time spent in confinement for his increasing mental instability.

Gurney's loyal friends offer small relief from the agony of his continuing confinment.

It's a story that begins full of possibility and hope; Gurney was one of the brightest musical lights of his generation. He imagined himself as Schubert's heir; a fresh, young genius whose music and poetry would revolutionise British society. Donald Macleod discovers how that early promise came to fruition and then unravelled, as Gurney struggled with the horrors of World War One and serious mental illness. Gurney expert, Dr Kate Kennedy, joins Donald to uncover the man behind the tragedy and explore the art he produced in the face of enormous adversity. Much of Gurney's output is still rarely performed, and several works have been specially recorded for these programmes.

Ivor Gurney had been committed to an asylum, and from this point, through fear of him hurting himself and possibly others, he was only allowed to use a pencil to write music. He tried to escape, smashing a window and injuring his hands and feet, but was soon back in the hospital. He continued, after a period of silence, to write music again. In 1925 he composed 25 songs, including completing his set called Lights Out.

In 1922 Gurney had been transferred to the City of London Mental Hospital at Dartford. Vaughan Williams would visit often, sometimes bringing with him students from the Royal College of Music to play Gurney's music with him. At Dartford, Gurney composed a setting of Robert Bridges poem, Since I Believe, for double choir, recorded for Composer of the Week by the 91Èȱ¬ Singers. Gurney's confinement was taking it's toll, however, and he eventually stopped writing music altogether. He died on Boxing Day in 1937.

1 hour

Last on

Fri 4 Jul 2014 18:00

Clip

Music Played

  • Ivor Gurney

    5 Preludes for piano - Prelude in A minor

    Performer: Alan Gravill.
    • Gamut: GAMCD516.
    • 3.
  • Ivor Gurney

    Lights out - song-cycle

    Orchestra: 91Èȱ¬ Concert Orchestra. Conductor: Martin Yates. Singer: Roderick Williams.
    • DUTTON : CDLX-7243.
    • DUTTON.
    • 15.
  • Ivor Gurney

    Since I believe in God the Father Almighty for double chorus

    Choir: 91Èȱ¬ Singers. Conductor: Paul Brough.
  • Ivor Gurney

    The Western playland - song-cycle for baritone, piano and string quartet

    Performer: The Delmé String Quartet.
    • HYPERION : CDA-66385.
    • HYPERION.
    • 8-10.
  • Ivor Gurney

    Western sailors for voice and piano

    Singer: Roderick Williams. Performer: Susie Allen.
    • SOMM : SOMM-057.
    • SOMM.
    • 17.
  • Ivor Gurney

    4 Four Elizabethan Songs, arr. Finzi for voice and strings

    Singer: Christopher Maltman. Orchestra: 91Èȱ¬ Scottish S O. Conductor: Martyn Brabbins.
    • STANFORD: Two Songs of Faith (Op 97/4-5).
    • HYPERION.
    • 8.

Broadcasts

  • Fri 4 Jul 2014 12:00
  • Fri 4 Jul 2014 18:00

37 Days: Countdown

How did an assassination in Sarajevo lead to war?

Part of...

Marking the centenary of World War One across the 91Èȱ¬

Part of...

Marking the centenary of World War One across the 91Èȱ¬

Vaughan Williams Today

Vaughan Williams Today

Programmes, concerts and features celebrating Vaughan Williams's 150th anniversary.

Beethoven Unleashed – the box set

Beethoven Unleashed – the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.