Last Choir Standing
The judges – Russell Watson
After a period out of the limelight due to ill health, Last Choir Standing marks Russell's welcome return to primetime television.
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Russell's rise to fame as "The People's Tenor" has been meteoric. He first came to public attention in 1999, when he was invited to Old Trafford to sing before Manchester United's Premiership-winning match, and his performance of the World Cup anthem, Nessun Dorma, received a standing ovation.
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His debut album, The Voice, was released in 2001 and was No.1 in the classical chart for a year, only to be knocked from the top spot by his follow-up release, Encore. The first British male singer to take the No.1 spots in both the UK and US classical charts simultaneously, he is credited with bringing opera to a wider audience.
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He has performed for some of the most influential people of our time, including Tony Blair, HRH Prince Charles and Camilla, Duchess of Cornwall, the King of Malaysia, the Emperor of Japan and even the late Pope John Paul II, who requested a private audience with Russell at the Vatican.
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How did you get involved in the show?
I got a call from my management who said: "Look, we've been offered this 91Èȱ¬ show". I remember having a look at the show at first, and thinking I wonder if I'd be able to do the judging thing because, as an artist, and someone who sells records, I'm usually being judged, not judging.
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So, I decided that after having a chat with people at the 91Èȱ¬ and my management that it could potentially work out quite well. And, of course, when I went down to Cadogan Hall [where the auditions were held], I realised it was going to be great fun.
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What can viewers expect from Last Choir Standing?
I think it's going to be a fantastic show. With some of the other shows that you see of this type, you're generally concentrating your energies on one individual. Here, you've got groups of people, so there are so many different characters to choose from.
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Of course, the difference being a judge is it's quite difficult because say there's somebody that you don't like, you're not just telling one person I don't like you. You're potentially telling up to 40 people you're not liking what they're doing, so I think it's going to make for very, very good television.
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What are you looking for from the choirs taking part?
We want them to be in tune! For me, it's a combination of different things. You want to see the personality of the choir and I think a good story as well, a good back story is good for a choir. And then, of course, they have to be able to sing. And then, on top of that, technically you're looking for good harmonies – three- to five-part harmonies from a decent choir.
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And just a group of people who seem to know what they're doing. I mean, obviously, there are choirs here who haven't been together that long. You can tell the ones that are well rehearsed and have been together for a long time from the ones that haven't, but it's difficult because what I like to see particularly are choirs who haven't been together for that long – I'd like to see them go on a journey.
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It's all well and good picking a fantastic choir who've rehearsed every day for the past 10 years, and are absolutely amazing – that's easy. What you want to do is pick out some raw talent.
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Have you got any advice for the choirs taking part?
Nerves are good but when they get hold of you and everything tightens up, the throat tightens up, everything does. It's learning how to control the nerves. It's learning how to control the adrenaline – that's the key.
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I don't particularly get nervous. I get a little bit of adrenaline, but I love the big occasion – for me, the bigger the better. I really enjoy thoroughly being on stage.
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Do I get nervous? I don't know. I mean I've got different stuff going on in my life, you know. I go on stage and think: "You know what? I could've been dead eight months ago", so I just enjoy it for the moment.
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Have you ever sung in a choir?
No, I'd have been the noisy one at the back! But I've performed with lots of choirs including the Juilliard Choir in New York, who are renowned as being one of the best in the world.
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What kind of judge are you going to be on the show?
I'd like to think honest would be the kind of judge that I'd be. I watch a lot of these types of programmes on TV and, like everybody else, I enjoy them, but I don't like seeing people's dreams flattened.
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I think there's a way of telling people "You know what? You're actually not what we're looking for, you're not fantastic", rather than just: "God, that was diabolical, get out you can't do it, go away never come back again". I don't like that – why destroy somebody's dreams?
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After a period out of the spotlight are you glad to be back on primetime TV?
Yes, it's funny, because we were on our way down to London the other week and I remember saying to Gary, who's my assistant, when we were driving down, "Ah, this is what I do, I entertain people, I sing".
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Because I think I got so used to, over the last two years, being ill that I sort of forgot what I did. And that's a strange feeling when you come back out, particularly when I did a concert in Japan last week. It felt strange but fantastic strange!
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You've been hailed as bringing opera to the masses – do you think that Last Choir Standing will do the same for choirs?
I think that there's already a... - resurgence is probably the wrong word because I don't ever think the choir thing's ever been mainstream - but I think already things are starting to build with choirs. I don't know if you noticed but there was the Royal Scots Dragoon Guards' album in the charts at Christmas, and there were the Welsh lads, Fron, who had big success in the charts.
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