My Life In Film
Starting on 91热爆 THREE, Tuesday 19 October at
9.30pm
Episodes
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Episode one: Top Gun
After failing his driving test for the fifth time, Art signs up for
a five-day crash course at The Best of The Best Motor School - they're
the best! The training is intense. And so are the rivalries.
Everybody wants to be the best of the best of the best. Especially
Johnson, the ice-cold learner driver who takes an instant dislike to
Art.
Meanwhile, Art takes an instant like to his beautiful instructor. And
as she teaches him to parallel park, they begin to fall in love. For
once, it really looks as if Art might pass, until a minor road accident
rocks his confidence. Will his new-found love chase away his inner demons
in time to take the test?
Episode two: Rear Window
A keen observer of human nature, Art watches happily from his bedroom
window as the beautiful girl in the flat opposite argues with her lover.
But when she disappears and the lover is spotted working late into the
night with a circular saw, Art comes to the only logical conclusion.
It has to be murder.
He wanted the relationship to end, but not like this. Jones wants to
call the police, but first they need evidence and there's only one place
to look.
Under the watchful eye of Jones, Art breaks into the flat opposite,
only to return as clue-less as before. They resort to plan B and try
to lure the killer out into the open. It works better than expected:
they manage to lure him around to their flat.
Episode three: The Shining
The last time Art babysat his nephew, young Danny left traumatised
having been chased into the attic by his axe-wielding Uncle.
The parents still haven't forgotten the incident although Art maintains
it was an accident. And so it is with no little trepidation that Art
is asked to babysit again. Surely, it can't happen twice, can it?
Uncle Art is trying to write. Constant interruptions shatter his concentration.
Cabin fever quickly sets in. He can hear footsteps on the roof. Jones
dismisses these fears and encourages Art to take some air.
But like chicken pox, paranoia is contagious. Alone in the house with
Danny, Jones now hears the footsteps. He tries not to panic, but fails
miserably. Art returns home to scenes of mayhem. Locked out, he fetches
the axe to break down the door.
Episode four: Shallow Grave
Friction between Art and Beth intensifies as she comes to stay for
the week. It preoccupies Jones so much, he forgets to feed the neighbour's
goldfish - with tragic results.
In the aftermath of the untimely death of the fish, Art discovers an
insignificant sum of money down the back of the neighbour's sofa.
The trio agree honesty is the best policy and agree to leave the money
where they found it, but an atmosphere of deceit and betrayal soon descends
on the household.
Alliances, allegiances and allergies reach breaking point when the
money goes missing.
Suspicions multiply and tempers fray as guilt and greed propel the
story to its bloody conclusion. And when the merry-go-round of treachery
finally comes to a stop, who will come out on top?
Episode five: 8 陆
Art finally gets the chance to prove himself as an undiscovered, talented,
independent, low-budget filmmaker when he is asked to shoot a wedding
video.
The initial flurry of ambitious, original ideas soon gives way to a
mammoth existential crisis which grips Art by the throat and refuses
to let go. Fear of the blank page keeps him awake at night. Thoroughly
blocked, he sinks into a dark malaise.
In search of inspiration, Art embarks on a filmmaker's odyssey through
a sea of dream, memory, fantasy and beautiful women. Pressure mounts
as time begins to run out.
But it is in the depths of his despair that he finds a ray of hope
in the most unlikely of sources.
Episode six: Butch Cassidy
Under pressure from the landlord to come up with the rent money, Art
resorts to increasingly desperate measures to raise the cash.
An attempt to defraud the bank incurs the wrath of a super-posse of
postmen. Art and Jones run for the hills on their bicycles.
When the landlord also gives chase the dynamic duo seek refuge in the
cinema. With nowhere left to hide, Art tries to persuade Jones to start
a new life together on the Isle of Man.
Legend has it the Film Commission over there just gives money away
to independent, low-budget filmmakers. Jones is tempted, but refuses
to leave Beth behind so they take her with them.
However, all they find on the Isle of Man is disappointment. They
have no choice but to return to their old ways. Will they find the rent
money before the landlord finds them?