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Gunpowder, Treason and Plot
- Lord Cecil
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Tim McInnerny plays Lord Cecil, the eminent but ruthless
Privy Councillor who served Elizabeth I and then became James 1st's indispensable
confidante and aide.
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Television audiences may have a bit of a jolt when they
tune into Gunpowder, Treason and Plot, Jimmy McGovern's consuming drama
about the Stuarts.
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For within seconds any comfortable familiarity with Blackadder's
Lord Percy or the weaselly Captain Darling are swept away by Tim McInnerny's
menacing presence as Lord Robert Cecil.
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"It's funny what you get known for as an actor,"
says McInnerny.
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"I loved Blackadder, and we had a ball making it.
I'm really proud of the series, but bizarrely, I've spent the minority
of my time in comedies."
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A polite understatement from an actor who has terrified
television audiences as Eric, the paranoid schizophrenic in Trial and
Retribution and has cavorted as Frank 'n' Furter in the hit musical The
Rocky Horror Show in London's West End.
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His work on stage embraces all the classics, including
the title role in Hamlet at the Royal National Theatre: "A great
role to play. You get all the psychological complexity and he gets to
tell great jokes too!"
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Pop fans will remember McInnerny in Westlife's Comic Relief
video, Uptown Girl.
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Cinemagoers enjoyed his appearances in both of Disney's
101 and 102 Dalmatians films and in Notting Hill with Julia Roberts.
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"Julia was lovely and very professional," says
McInnerny, adding that she knew all the names of the crew within three
days - a feat he still hadn't mastered by the end of the shoot.
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His latest feature, The Emperor's New Clothes, with Ian
Holm, is currently showing nationwide.
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"I've been lucky in my work, but when something like
Lord Cecil comes along - it's fantastic. You don't often get scripts this
good. Frankly, it's the best script I've read in the last ten years, and
I can tell you I was desperate to get the part."
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Director Gillies MacKinnon and McInnerny talked at length
about how to approach Lord Cecil, but ultimately were led by the script.
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"I'd read a certain amount, various background books
but more really to get a feel and sense of the period. It was an interesting
time and I wanted to get into the mind-frame of that world."
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But he cautions a pragmatic note: "If we were being
entirely historically accurate, then I would never have got the part in
the first place, because Cecil was an extremely short man, who was also
a hunchback.
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"There comes a point, particularly when making a
drama set in a contentious period in history, when you follow the script.
"Historians themselves don't agree on what 'the truth
is' about these extraordinary times. The victors have so often written
history; so who knows?
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"It's Jimmy McGovern's personal interpretation that
we have to take on board.
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"One of the things that really impressed me with
his storytelling is that it is not biased. He doesn't come down on the
side of Catholics or Protestants or the King."
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McInnerny warms to his theme.
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"Everybody's a fascinating character for one thing.
I've very rarely read a piece that's got something like 15 characters.
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"They all have their psychological reasons for why
they do what they do, and watching them we see how they are all totally
driven by their beliefs. It's Jimmy's exploration of different forms of
fanaticism."
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He describes the power duel between the ruthlessly manipulative
Privy Councillor and the King as a separate story, unravelling behind
the thrust of the Gunpowder Plot.
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"I see Cecil as the first modern politician, a man
who had a vision of England and Scotland as a single state.
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"The fanatic within him would die for this abstract
idea - he would do what ever it takes to preserve the state. It must grow
as a mighty power. The State is his only love and is embodied in the legacy
of Elizabeth I.
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"The end justifies the means as far as Cecil is concerned
and James is his best bet for keeping the country together. That's why
he trains and grooms the new king in politics until,
ironically, James doesn't need Cecil anymore."
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McInnerny says doing this kind of work is the reason he
enjoys acting. "It's the nearest thing I've done on telly or film
to Shakespeare on stage."
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McInnerny's next challenge is set very much in the present,
although once again it's the murky world of high level intelligence-gathering
and spies. He is the new face in 91Èȱ¬ ONE's acclaimed thriller, Spooks.
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Audiences can look forward to being frightened by Oliver
Mace, an old adversary of Harry's.
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"Who isÂ…" and McInnerny laughs, "Â…a
ruthless manipulator consumed with ambition. I must be getting quite good
at them."
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