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24 September 2014
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There's some well documented run-ins with other bands at the time. Was it true you had a bit of incident with The Clash's bass player, Paul Simenon?
JJ: Yeah, by the middle of 1976 we had a couple of really good regular gigs, like residencies really. One was at The Hope and Anchor, one was at The Red Cow and we had another in The Nashville Rooms. There was definitely some changes going on at the time. People were starting to cut their hair shorter, jeans were getting tighter. Anyway, we all congregated in these kind of places. We were starting to get a bit of a name for ourselves on the London circuit and were invited to do the American Bi-centinary gig. After our set, we had a few drinks and snaked our way out into the audience. I passed by Paul Simenon while he was standing at the bar with Steve and Paul from the Sex Pistols. The Clash's Paul had a bit of a nervous spitting habit and he gobbed on the floor just in front of me. So I thumped him! He then fell against Steve and Paul, who dropped their pints, and all jumped in on top of me. The rest of the band and a few of our followers, called The Finchley Boys, joined in. Eventually, we were all thrown out into a courtyard, where there was a big stand-off. Chrissie Hinde and Dee Dee Ramone were there too, watching Paul and I just put our noses in one another's faces. It was real school kid stuff. Joe Strummer said to Hugh at the time as well, 'Oh I think my bass player's having a punch up with your bass player!'

Early songs like ‘Peasant in the Big Shitty' resonated the kind of alienation that became the very essence of punk. But you never classed yourselves as punk did you?
JJ: No, we didn't, but a lot of people did at the time. There was a cross-over, but the more hardcore followers of punk certainly wouldn't have classed us as such. For start, we had a keyboard player and a synthesiser occasionally. And also, we claimed to be a few years older than the others, but I just recently discovered that Joe was exactly the same age.

You’re still referred to as a punk band, even though the punk era took up a very short amount of time in your career. Does that frustrate you?
JJ: Well, it was our formative years wasn't it, and that was when other people were forming their opinions of us. We developed a reputation for being uncompromising though, which stuck for many years. When we wanted to be seen as being musically ambitious, it got in the way.

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Ìý 'Two flop records.' Andy's explanation for shift from new romantic to salsa. Ìý
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Ìý 'It just kept selling!' Ray Dorset talks about his seasonal anthem. Ìý
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Ìý Dave Dee discusses the hazards of using a bullwhip on stage. Ìý
Ìý Pete Burns Ìý
Ìý We chat to androgynous Dead or Alive frontman about the '80s revival. Ìý
Ìý The Searchers Ìý
Ìý 'At the time, I really didn't think it was going to be a lifetime job'. Ìý
Ìý Middle Of The Road Ìý
Ìý Ken Andrew talks about the cheap and chirpy world of Middle Of The Road... Ìý
Ìý Howard Jones Ìý
Ìý We ask the synth wizard a heap of questions, including "What is love?" Ìý
Ìý Paul Hardcastle Ìý
Ìý We speak to the Electro-pop wizard about his TOTP memories... Ìý
Ìý The Stranglers Ìý
Ìý The history of The Stranglers, according to bassist and songwriter JJ Burnel. Ìý
Ìý S'Express Ìý
Ìý Mark Moore tell us what he's up to these days. Ìý
Ìý Owen Paul Ìý
Ìý He's back! And music is still his favourite waste of time. Ìý
Ìý Bucks Fizz Ìý
Ìý We speak to Cheryl Baker about Eurovision, Jay Aston and mini-skirts Ìý
Ìý The Foundations Ìý
Ìý We track down Clem Curtis of 'Build Me Up Buttercup' fame Ìý


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