Britten Gloriana
Gloriana, Britten's opera about the doomed relationship between the mature Queen Elizabeth I and the dashing Earl of Essex. Presented by Andrew McGregor.
Gloriana by Benjamin Britten was written for the year long celebrations of Elizabeth II's coronation in 1953. As the nation celebrated the glamorous young queen, promising a new age of peace, Britten produced an opera strangely at odds with the time, but always in tune with his own sensibilities.
Britten takes the stormy personal relationship between a mature Elizabeth I and a young attractive Earl of Essex as related in Lytton Strachey's "Elizabeth and Essex: A Tragic History" , and gives us a complex portrait of an older woman, who as Queen and last surviving child of Henry VIII, knows only too well what it takes to run a country, and ultimately what personal sacrifices to make, despite her own emotions, to protect her authority.
Andrew McGregor and Sarah Lenton make a case for Gloriana as the least regarded of Britten's Operas in this recent performance from the Teatro Real in Madrid.
Anna Caterina Antonacci is Queen Elizabeth and Leonardo Capalbo the Earl of Essex, and Ivor Bolton conducts this performance from an acclaimed new production.
Britten: Gloriana
Anna Caterina Antonacci ..... Elizabeth I (soprano)
Leonardo Capalbo ..... Robert Devereux, Earl of Essex (tenor)
Paula Murrihy ..... Frances, Countess of Essex (mezzo-soprano)
Duncan Rock ..... Charles Blount, Lord Mountjoy (baritone)
Sophie Bevan ..... Penelope (Lady Rich) sister to Essex (soprano)
Leigh Melrose ..... Sir Robert Cecil, Secretary of the Council (baritone)
David Soar ..... Sir Walter Raleigh, Captain of the Guard (bass)
Benedict Nelson ..... Henry Cuffe (baritone)
Elena Copons ..... Lady-in-Waiting (soprano)
James Creswell ..... Blind ballad-singer (bass)
Scott Wilde ..... Recorder of Norwich (bass)
Itxaro Mentxaca ..... a Housewife (mezzo-soprano)
Sam Furness ..... The Spirit of the Masque (tenor)
Gerardo L贸pez ..... Master of Ceremonies (tenor)
脌lex Sanmart铆 ..... City Crier (baritone)
Teatro Real Chorus & Orchestra
Ivor Bolton (conductor).
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Music Played
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Benjamin Britten
Gloriana: Act 1
Singer: Anna Caterina Antonacci. Orchestra: Teatro Real Orchestra. Orchestra: Ivor Bolton. -
Benjamin Britten
Gloriana: Act 2
Singer: Anna Caterina Antonacci. Orchestra: Teatro Real Orchestra. Orchestra: Ivor Bolton. -
Benjamin Britten
Gloriana: Act 3
Singer: Anna Caterina Antonacci. Orchestra: Teatro Real Orchestra. Orchestra: Ivor Bolton.
Synopsis
Setting: The late 16th century England
Act 1
Scene 1: A tournament
Lord Mountjoy wins a jousting tournament. Robert Devereux, Earl of Essex, provokes Mountjoy into fighting with him and is slightly wounded. Queen Elizabeth arrives and scolds the men for their jealousy. She requests that they attend her at court as friends. Mountjoy and Essex make peace and the crowd praise Elizabeth.
Scene 2: The Queen's apartment, Nonsuch Palace
Elizabeth and Cecil discuss the rivalry between Mountjoy and Essex. Cecil warns Elizabeth about the threat of another Armada from Spain and cautions her that it would be dangerous to show too much affection to the impulsive Essex. After Cecil has gone, Essex himself enters and sings to the Queen to take her mind off political problems. He asks her to let him go to Ireland to counter the rebellion led by the Earl of Tyrone. He grows impatient when the Queen shows reluctance, and accuses Cecil and Walter Raleigh of plotting against him. Elizabeth sends him away and prays for strength to rule her people well.
Act 2
Scene 1: Norwich
The Queen, accompanied by Essex, visits Norwich, and talks with the Recorder of Norwich. A masque celebrating Time and Concord is given in her honour.
Scene 2: Essex's house
Essex's sister Lady Penelope Rich meets Mountjoy for an illicit tryst in the garden. Essex and his wife Frances join them, and Essex denounces the Queen for thwarting his plans to go to Ireland. He, Mountjoy and Lady Rich imagine gaining power as the Queen gets older, but Frances urges caution.
Scene 3: The Palace of Whitehall
A ball is in progress at the Palace. Frances, Lady Essex, is wearing a beautifully ornate dress, which is much admired by members of the court. The Queen commands the musicians to play an energetic melody; the courtiers dance a set of five energetic "Courtly Dances". The ladies retire to change their linen. Lady Essex enters, wearing a plainer dress than before and tells Lady Rich that her original dress has gone missing. The Queen arrives wearing Lady Essex's dress, which is far too short and tight for her. She mocks Lady Essex and withdraws again. Mountjoy, Essex and Lady Rich comfort the humiliated Lady Essex. Essex expresses his fury at the Queen's behaviour, but calms down when Elizabeth returns, in her own clothes. She appoints Essex Lord Deputy of Ireland. Everyone celebrates.
Act 3
Scene 1: Nonsuch Palace
The Queen's maids gossip about Essex's failure to control the Irish rebellion. Essex bursts in and insists on seeing the Queen immediately, even though she is wigless and in her dressing gown. Elizabeth sadly admits to Essex that she is an old woman. She receives him kindly and is initially sympathetic to his troubles, but grows impatient as he complains about his enemies at court. When he has left, her maids dress her and make up her face. Cecil arrives and warns her that the Irish rebels and the hotheaded Essex both pose a threat to her reign. Elizabeth agrees that Essex should be kept under house arrest.
Scene 2: A street in the City of London
A ballad singer recounts Essex's attempts to incite rebellion, while Essex's followers try to gather new recruits. A herald announces that Essex is branded a traitor, and that anyone who supports him will be guilty of treason.
Scene 3: The Palace of Whitehall
Essex has been sent to the Tower of London. Cecil, Raleigh and other councillors try to persuade the Queen to sentence Essex to death, but she is reluctant. Alone, she muses on her continued fondness for Essex. Lady Essex, Lady Rich and Lord Mountjoy arrive to beg for mercy for Essex. The Queen treats the gentle Lady Essex kindly and reassures her that she and her children will not suffer. However, she becomes angry when the proud Lady Rich implies that the Queen needs Essex to rule effectively. Elizabeth refuses to listen to further entreaties and signs Essex's death warrant. Alone again, she reflects on her relationship with Essex and her own mortality.
Photo by Javier del Real
Broadcast
- Sat 23 Jun 2018 18:3091热爆 Radio 3