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Taken
- Production biographies
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Tobe
Hooper |
Episode
1, Beyond the Sky |
Breck
Eisner |
Episode
2, Jacob and Jesse |
Sergio
Mimica-Gazzan |
Episode
3, High Hopes |
Bryan
Springer |
Episode
4, Acid Tests |
Felix
Alcala |
Episode
5, Maintenance |
Thomas
J Wright |
Episode
6, Charlie and Lisa |
Jeremy
Kagan |
Episode
7, God's Equation |
Jeff
Woolnough |
Episode
8, Dropping the Dishes |
John
Fawcett |
Episode
9, John |
Mike
Katleman |
Episode
10, Taken |
Leslie
Bohem |
Writer/
Executive Producer |
Steve
Beers |
Co-Executive
Producer |
Richard
Heus |
Producer |
James
Lima |
Co-Producer
and Visual Effects Supervisor |
Chris
Gorak |
Production
Designer |
Tobe
Hooper
Episode
1 - Beyond the Sky
If
he did nothing else, Tobe Hooper would have earned his place in
film history with the cult classic Texas Chainsaw Massacre, which
he wrote and directed in 1974.
The
film changed the face of horror forever, spawning three sequels
and inspiring a host of horror films featuring masked villains.
It
was honoured by the Cannes Film Festival, and remains in the permanent
collection of the Museum of Modern Art in New York.
Tobe
made his first film with his family's 8mm camera, when he was three,
and continued to make movies while growing up in Austin, Texas.
After
the success of Chainsaw, which was his third film, he made a number
of other features: Fun House, Invaders from Mars, Life Force, and
The Mangler.
Tobe's
most ambitious and commercially successful project was the 1982
hit Poltergeist, which was his first collaboration with DreamWorks-founder
Steven Spielberg. Poltergeist spun off two sequels and a television
series.
Tobe
has worked extensively in television since the late 1970s.
In
1979, he directed Salem's Lot, a four-hour mini-series starring
James Mason that remains one of Stephen King's favourite film translations
of his work.
More
recently, he worked on series such as Freddie's Nightmare, Tales
from the Crypt, and Night Visions.
Tobe
also directed the pilots of Nowhere Man for UPN and Dark Skies for
NBC/Columbia.
Breck
Eisner
Episode
2 - Jacob and Jesse
Breck
Eisner was born in New York and raised in Los Angeles.
He
graduated from Georgetown University in Washington DC, majoring
in both English and Theatre.
Breck
received a Master's degree in directing from the University of Southern
California's School of Cinema-Television.
His
Masters Thesis at USC, the short film Recon, has been screened around
the world at events such as the Venice Film Festival, The Hamptons
Film Festival, and The Edinburgh Festival.
Breck's
first commercial spot, Budweiser's Powersurge, aired during the
1997 Superbowl Game, and ranked highly among viewers and critics
alike.
This
was followed by Rold Gold's Pretzel Boy spot, which starred Jason
Alexander.
In
the four years following he has directed upwards of fifty different
commercials for such clients as Coke, Pepsi, Heineken, Sony, PowerBar,
McDonald's, Burger King, and Kodak to name a few.
In
1999 Breck directed The Invisible Man, a two-hour television pilot.
The show aired in the summer of 2000, receiving the highest ratings
in the history of the SCI FI channel, and ran for two years.
After
the success of The Invisible Man, Breck directed the pilot Wilder
for Universal Productions.
In
mid-2001, Breck sold a back-door pilot, with writers Tom Donneley
and Josh Oppenheimer, to USA Network titled Thoughtcrimes.
He
is scheduled to direct and executive-produce the two-hour pilot
episode.
In
the film world, Breck has signed on with Warner Brothers to develop
and direct the Brian Lynch film, Nightcrawlers, and is in production
with DreamWorks on Big Ticket.
Sergio
Mimica-Gazzan
Episode
3 - High Hopes
Sergio
got his start in movies working on the Croatia set of 1982's Sophie's
Choice.
As
Steven Spielberg's first assistant director, Sergio Mimica-Gezzan
has played a central role in all of his films from the past ten
years: Schindler's List, The Lost World – Jurassic Park, Amistad,
Saving Private Ryan, A.I., Minority Report, and Catch Me If You
Can.
Sergio
has also worked as first assistant director on films such as Independence
Day, Inspector Gadget and How to Make an American Quilt.
In
1999 he wrote, produced, and directed a 40-minute dramatic short
entitled An Incident.
Bryan
Springer
Episode
4 - Acid Tests
Bryan
Spicer got his start in the film industry as a production-assistant
on the pilot for the hit series Moonlighting, before working for
several years for the Stephen J. Cannell Company.
He
made his directorial debut on the Cannell show, Booker, and began
to attract serious attention as director and producer of the innovative
Fox series Parker Lewis Can't Lose.
Since
then, Bryan has worked on shows such as X-Files, The Lone Gunmen,
SeaQuest DSV, 24, and directed Kevin Spacey in an episode of the
Emmy-award-winning anthology series Tribeca.
Bryan
has made three features: 1995's Mighty Morphin Power Rangers: The
Movie, 1997's McHale's Navy, and For Richer or Poorer, which starred
Tim Allen and Kirstie Alley.
Felix
Alcala
Episode
5 - Maintenance
Born
in Bakersfield, California, and raised in Christoval, Texas, Felix
Alcala got his start in the business by working for KERA-TV, while
still in College at the Southern Methodist University Film School
in Dallas.
Following
his graduation, Felix collaborated on the short film Who Built this
Place, winning first prize at the Chicago International Film Festival.
Following
his move to Los Angeles, Felix broke into cinematography, and then
production, winning an A.S.C. nomination for his cinematography
on the Amblin/NBC pilot Earth II.
Alcala
also served as Director of Photography for series such as I'll Fly
Away, 91Èȱ¬front, and the pilot episodes of South Beach and South
of Sunset.
He
moved into directing episodic television, winning a DGA nomination
for his work on the Emmy-winning drama ER.
Most
recently Alcala served as the Creative Consultant on the NBC series
Third Watch, which also brought him a 2001 best drama director ALMA
Award.
Thomas
J Wright
Episode
6 - Charlie and Lisa
Beginning
his career in film as an actor, Thomas Wright got his start in film
production, of which the majority of these projects were action
films.
Thomas
began as second unit director on Staying Alive and worked on Beverly
Hills Cop, Howard the Duck, and Rocky II.
Thomas
went on to direct, write and produce a wide range of television
projects as well as a number of feature films.
He
served as director on such hit series as The X-Files, Angel, Dark
Angel, CSI, The Fugitive, Highlander and MaxHeadroom, to name a
few.
Thomas'
TV movies include the two-hour special Mancuso FBI for NBC, Fatal
Image for CBS, and Chrome Soldiers for the USA Network.
Thomas
made his feature directorial debut with the independent film Torchlight,
directed Hulk Hogan in the 1998 feature No Holds Barred and in 2001,
he directed Dennis Hopper in the independent psychological thriller
Unspeakable.
Jeremy
Kagan
Episode
7 - God's Equation
Jeremy
Kagan's career as a director, producer, writer, and teacher has
included a remarkable range of work.
Educated
at NYU and Harvard, Jeremy's early films included award-winning
animated shorts, and experimental-movies; which led to his selection
as one of the first fellows at the American Film Institute.
Jeremy
began working in television in the early seventies directing episodes
of The Bold One and Columbo before creating a series of acclaimed
movies for television.
One
of these made-for-television films was Katherine, which was among
the first TV films to be honored at film festivals.
Jeremy's
other notable television credits include: Conspiracy: The Trial
of the Chicago 8, which was a winner of the 1988 ACE award for best
dramatic special, the Golden Globe-nominated Roswell: The UFO Conspiracy,
the pilot for Dr. Quinn: Medicine Woman, and Bobbie's Girl, which
was the highest rated film for Showtime in 2002.
Jeremy
won an Emmy for his work on Chicago Hope, and has directed episodes
of series such as Ally McBeal, The West Wing, Picket Fences, and
The Guardian.
Jeremy's
feature films include Heroes, The Big Fix, and 1981's The Chosen,
which won the Grand Prix at the World Film Festival in Montreal,
and The Journey of Natty Gann, which won the Gold Prize at the 1987
Moscow Film Festival.
Jeremy
is a tenured professor at USC's prestigious school of film and television
and has served as artistic director at Robert Redford's Sundance
Institute.
Jeff
Woolnough
Episode
8 - Dropping the Dishes
Jeff
Woolnough's first foray into filmmaking came when he was chosen
to be Norman Jewison's apprentice on Moonstruck.
For
the past two seasons he worked extensively on James Cameron's Dark
Angel.
His
other directing credits include The Agency, from Wolfgang Petersen,
Smallville, Birds Of Prey, both from Warner Bros., UC: Undercover,
from Danny Devito, and Soul Food from Baby Face and Showtime.
Jeff
is now developing several projects for the big screen.
John
Fawcett
Episode
9 - John
Trained
at the Canadian Film Centre, John Fawcett first earned attention
in 1996 when his short film, Scratch Ticket, screened at the Toronto
International Film Festival.
He
has gone on to direct two features: 1997's The Boys Club, which
starred Chris Penn, and 2000's Ginger Snaps, an innovative horror
movie he created with writer Karen Walton.
John
also directed the 2001 film Lucky Girl, which received two Gemini
awards.
John's
television credits include work on series such as John Woo's Once
a Thief, La Femme Nikita, Xena: Warrior Princess, Queer as Folk,
and DaVinci's Inquest.
In
1999 Fawcett earned Gemini nomination, for best director, for his
work on the CBC series Power Play.
Mike
Katleman
Episode
10 - Taken
Michael
Katleman joined the film industry after a successful career as a
musician, working his way up from production assistant to the assistant
director on features such as La Bamba, Predator, Commando, and Jumpin'
Jack Flash.
He
made his debut as a director in 1990 on the acclaimed television
series China Beach, and has since directed many hours of episodic
television, including: ER, The X-Files, Northern Exposure, and Smallville.
Mike
co-created and executive-produced his own series, VR.5, for Fox,
directed the pilot and executive-produced the sci-fi medical drama
Mercy Point, for UPN, and joined forces with director Tim Burton
to executive-produce the pilot Lost in Oz, a series based on the
immortal work of L. Frank Baum.
Recently,
Mike served as co-executive-producer and director on the hit series
Gilmore Girls.
He
is currently co-executive-producing and directing the new WB series
Birds of Prey.
Leslie
Bohem
Writer/
Executive Producer
When
musician Les Bohem traded in his bass for a keyboard a dozen years
ago, he wasn't changing instruments.Leslie
changed professions.
Leslie
made his first mark as a musician in the 1980s, scoring an cult
hit with The Gleaming Spires' Are You Ready For the Sex Girls, and
touring with the tirelessly quirky pop band Sparks.
After
trying to flog semi-autobiographical scripts about musicians whose
burgeoning careers in rock and roll stopped burgeoning, Leslie made
his film debut with the screenplay for A Nightmare on Elm Street:
Part 5.
After
writing films such as The Horror Show, Nowhere to Run, and Kid,
Leslie turned his attention to rewriting a 1935 script by his father,
Endre Bohem, who had started as a screenwriter in the 1930s and
later worked as a writer and producer on the TV western Rawhide.
Twenty
Bucks, which followed the path of a $20 bill as it makes its way
through the world, earned critical raves and several awards.
Other
recent screenwriting credits include 1996's Daylight, and the 1997
hit Dante's Peak.
Steve
Beers
Co-Executive
Producer
Director
and producer Steve Beers got his start in the television business
in the early '80s when he wrote an episode for Stephen J. Cannell's
hit series The A-Team, and for the action series Riptide.
Steve
went on to work as an executive producer on the Cannell series 21
Jump Street and Booker, as well as co-executive producing on the
Warner Bros. series Maximum Bob.
His
other credits include work as supervising-producer on Fox's Dark
Angel, which is not to be confused with the Aaron Spelling pilot
of the same name which Beers also produced, and WB's Young Americans.
In
1987 Steve won the Scott Newman Drug Abuse Prevention Award for
his work on 21 Jump Street.
Richard
Heus
Producer
Richard
Heus first made his mark producing the award-winning American Playhouse
production of Darrow, starring Kevin Spacey, Chris Cooper and Calista
Flockheart.
He
later partnered with the Oscar-winning writer Barry Morrow, and
together they produced films such as Race the Sun, starring Halle
Berry and Jim Belushi.
Together
they also produced critically acclaimed and popular television movies
and mini-series such as Switched at Birth, with Bonnie Bedelia,
Christmas on Division Street, with Hume Cronyn and Fred Savage,
and Behind the Mask, with Donald Sutherland.
Richard
also produced Serving in Silence, starring Glenn Close and Judy
Davis, which was nominated for six Emmy's.
More
recently, Heus has been producing television series including the
CBS/Sony hit Early Edition, NBC's Raising Caines, and UPN's Secret
Agent Man.
James
Lima
Co-Producer
and Visual Effects Supervisor
After
beginning his career as the Visual Effects Art Director on the Academy
award-winning Total Recall, James made his debut as Visual Effects
Supervisor on the innovative NBC series SeaQuest DSV.
In
feature films, James has supervised the visual effects on Strange
Days for James Cameron, and Space Jam for Ivan Reitman, before returning
to television and reuniting with Steven Spielberg on the critically
acclaimed NBC series The Others.
James
has also worked extensively in commercials, designing and supervising
visual effects for such directors as Joe Pytka, Tony Scott and Herb
Ritts, while directing several commercials and music videos himself.
James'
work as a visual consultant can be seen in such blockbusters as
Starship Troopers, The Mummy, and the recent mega-hit Spider-Man,
for which he designed the Green Goblin.
On
Taken, James has supervised the visual effects, and concentrated
on the design, personality, and persona of the Alien Grays.
Chris
Gorak
Production Designer
As
an Art Director, Chris Gorak has been fortunate enough to collaborate
with the industry's most visually-gifted Production Designers and
Directors.
Most
notably, Chris was Supervising Art Director on Steven Spielberg's
Minority Report, and Art Director on David Fincher's Fight Club
and Terry Gilliam's Fear & Loathing in Las Vegas.
He
was also Art Director on the Coen Brothers' The Man Who Wasn't There,
and John Singleton's Rosewood.
Chris
has a degree in Architecture from Tulane University, and climbed
the art department ladder from the bottom assisting, set designing,
and illustrating on films such as The Lawnmower Man, The Hudsucker
Proxy, Tombstone, and Tank Girl.
Chris
learned his craft under the guidance of several highly regarded
production designers including: Alex McDowell, Dennis Gassner, Academy
award-winner for Bugsy, and Paul Sylbert, Academy award-winner for
Heaven Can Wait.
Back
to introduction
Production
notes
Steven
Spielberg - Biography
Cast
Biographies
|