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21st February 2002
A Beautiful Mind 12 cert camera

Dir: Ron Howard
Cast: Russell Crowe; Jennifer Connelly; Ed Harris; Paul Bettany; Christopher Plummer
Length: 135 minutes
Release: 22nd February 2002

A Beautiful Mind

Hmmm 1 + 1, now let me see

"Hey everybody, let's go see a film about maths!" As Saturday night propositions go, the pitch for "A Beautiful Mind" is about as enticing as playing Happy Families with Fred West.

Nev Pierce

But put Russell Crowe in the cinematic equation and Ron Howard's latest portion of Academy-friendly fare becomes a good deal more appetising.

Just as the brusque Antipodean's intensity and screen charisma blinded audiences to the flaws in "Gladiator", so he delivers another astonishing performance that more than compensates for this film's weaker facets.

A (highly) fictionalised biopic of real-life maths whizz John Forbes Nash Jr, it follows the socially stunted prodigy from his professional beginnings as a nervous freshman at Princeton, through Cold War spy machinations, and his struggle to hold together his marriage to fellow mathematician Alicia (Connelly).

A Beautiful Mind
Wanna come upstairs and see my long division?

Crowe is totally convincing - from 19-year-old student to OAP - giving a truth to Akiva Goldsman's occasionally twee dialogue and bringing fear and excitement to the most off-putting of subjects.

Facing off with such a formidable, scene-stealing star would terrify a lesser actor than Jennifer Connelly, but she matches Crowe scene for scene. With a glamour and grace reminiscent of a 40s film star, and unafraid to suffer some unflattering close-ups of her angst-contorted face, the Golden Globe-winner delivers a performance that should see her secure a place on the A-list.

A Beautiful Mind
What do you mean you don't recognise me with my clothes on?

Another supporting player who signals his Hollywood arrival is Brit Paul Bettany, as Nash's enigmatic best friend - fulfilling the promise he showed in both "Gangster No.1" and "A Knight's Tale".

In truth it's the acting that makes the movie, for while Howard does a good job of actually making sums exciting - and pulls off a masterful narrative shift halfway through - he can't sidestep the pacing problems of biopics that try to cram in their subjects' entire life - perfunctorily whizzing through decades in the final half hour.

Still, such problems are forgivable as the tearstained finale crowns a moving love story. Who'd have thought algebra could be so exciting?

4/5



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