91热爆

Today was the funeral of Mike Donkin, the 91热爆 News correspondent who died of cancer last week at the age of 56.

There have been many paid to Mike, who was not just a great reporter but a lovely man as well.

I worked with him many times as a television producer on the Six and Nine O鈥機lock news in the 1980s and 90s. Later, when I was running Newsgathering, Mike was providing radio and television reports of the highest quality from a huge variety of locations 鈥� he was always someone you could rely on absolutely to get the best from an assignment or story.

In tribute to Mike we have assembled a collection of some of his memorable reports. In 2002 he defied Robert Mugabe鈥檚 ban on 91热爆 journalists entering Zimbabwe with some graphic reporting on conditions in the country. You can watch some of the results here.

Iraq was a country Mike visited at various points in its recent troubled history. What Mike always tried to do was to make his stories come alive by telling the story of ordinary people and that is particularly true in this piece.

One of the great things about Mike was the range of subjects he could cover. He was not a war specialist or someone who could only comfortably deal with softer features. His , as the world prepared for the new millennium, showed one of his defining characteristics - his power with the English language.

Libya is not an easy place to gain people鈥檚 trust and openness but .

And in one of his final assignments Mike explored a theme of our age 鈥� the impact of migration across Europe. Being Mike, he found a fresh angle and produced a vivid report, again based around the accounts of the people directly affected.

On this day more than any other, I think it鈥檚 right we allow Mike鈥檚 reporting to speak for him. His death has left a sense of loss and shock for all those who knew him in 91热爆 News. We often talk about the values we stand for; Mike was a great embodiment of them.

You may have seen earlier in the week, calling for more ambition and innovation from the 91热爆.

It鈥檚 perhaps not surprising that the 91热爆 Trust鈥檚 research shows that people want fresh ideas 鈥� few would be happy to accept only the familiar year after year. What we in 91热爆 News have to work out is exactly how that desire applies to the services and programmes we produce. The questions are certainly rather different to thinking about the next Saturday night entertainment format or another drama as fresh as Life on Mars.

Innovation in News can mean many things. Over the last five years we have begun to offer a much broader range of services available wherever and whenever people want them. So whether , on a big screen in a city centre or , we can offer different ways of distributing news. There is the potential to be able to do a lot more in terms of personalisation, by subject or by location. And we can make much more of current affairs content by not simply thinking in terms of particular programmes and commissioned timeslots. The aggregation of our content in different forms will be a crucial part of the future.

There is also technical innovation, enabling us to be live faster and more cheaply in more places. In our recent coverage of the floods in Yorkshire, we have for instance pioneered the use of a VSat dish to send many of the pictures and live coverage. Instead of using a large satellite truck and relatively expensive broadcast satellite space, this simply mounts on top of a normal vehicle and uses a fast broadband connection over satellite to send pictures and sound back to Television Centre. These aren鈥檛 innovations our viewers should even notice in themselves 鈥� but they should mean the reporting we can offer is even more immediate and authentic.

And finally (as one now-departed news format used to say), there is the question of formats. In many ways this is the most difficult. We know that audiences value innovation but reject gimmickry. It is not enough to do something in a different way simply because we can. But when we launch something new and get it right, the impact is huge. Radio Five Live has been a long-term success through consciously achieving a sound different from Radio 4. Television presentation has been transformed 鈥� if you get a chance, just look at a programme from 15 or 20 years ago and see how formal it feels. Our uses of studios, live location reporting and interactivity have all gone through a revolution. There is the potential to do something similar again over the next few years as long as we use the tools in a way which benefits the journalism and doesn鈥檛 get in the way.

We see innovation as key to keeping existing audiences and reaching new ones. New services and new approaches will be vital and that鈥檚 why we鈥檙e keen to hear thoughts about what we should be doing. But even more vital will be the editorial ambition which drives what we do every day. The thinking about how to select, treat and develop a story is in the end what most determines our success. The lessons all broadcasters have learned is that people will try an innovation once simply because it is new. However, they will only keep coming back to it if it is both simple to use and the content meets their needs.

Those of us involved in the editorial decision-making at the 91热爆 this week have read the comments to my earlier entry on this blog. Clearly nothing I say at this point is going to change many people's minds.

What I would stress on the issue of potentially prejudicing any future trial is that we do not believe the decision to broadcast the interview has in any way done this. Our legal advice was very clear. There has be a substantial risk of serious prejudice and the interview we transmitted, in which Tom Stephens gave his own account of events, did not constitute this.

In terms of the decision to broadcast, I can only reiterate how the position had changed between the time of the original conversation and the point at which we broadcast it. By that time, Tom Stephens' identity was prominently in the public domain, he had been substantially quoted and pictured in a front page story in the Sunday Mirror, the full conversation he had with our reporter was available to the police and he had been arrested.

It is worth reflecting on how it would have been viewed in some quarters, if given all those changes, we decided to keep from the public an extremely relevant piece of description and insight. A rather different group of critics would undoubtedly have accused us of deliberately withholding relevant information when there was no legal reason to do so, despite the fact that an extraordinary change in circumstances had taken place since the recording.

The conclusion we reached was based on all of these considerations weighed carefully against the arguments pointing in the other direction. We continue to believe we made the right judgment.

Last week a 91热爆 News reporter spoke to Tom Stephens in Ipswich. Their 36-minute conversation was recorded but was intended for background and not for broadcast.

Following on Monday, we took the decision to transmit the interview on the basis that there had been an exceptional change in circumstances. The anonymity, which Mr Stephens had sought to preserve by making the interview for background only, no longer applied. His name and many other details about him were very much in the public domain.

We felt there was a compelling public interest in letting the public hear what he had to say. He knew all five of the murdered women, two of them well. He had much to say about the world of drug dealers and financial pressures in which they lived. On balance it seemed to us to be wrong to deny people the opportunity to hear his thoughts on the events of the past few weeks.

Of course, we reflected long and hard about the legal and ethical issues this interview raised. We are confident that nothing we have broadcast . We also reached the conclusion that nothing we broadcast could reasonably be expected to impede the ongoing police investigation. A full copy of the interview had been made available to the police.

Ultimately our judgement was based on what we felt would be right for our audiences - should there be an opportunity to hear the interview or did it remain inappropriate to broadcast something recorded six days earlier on a different basis? In the very rare circumstances of this case, we took the decision to share Tom Stephens' account.

We鈥檝e just appointed our first sports editor. Mihir Bose will join us from the Daily Telegraph, where he鈥檚 been a sports news writer for the past 10 years, .

Why are we creating this job? Well, we know some people are passionately interested in sports news, some are completely uninterested and others have a fairly general interest in the most important and interesting things happening in the sports world.

Although people are more polarised in their level of appetite for sport than many other subjects, it is undoubtedly an important part of the news agenda 鈥� not only major events such as the Olympics and the World Cup, but also the social, cultural, business and political significance which sport carries.

Mihir鈥檚 job will be to get under the skin of sport 鈥� both to break stories and to explain what鈥檚 really happening, whether it鈥檚 a story about money and the Premiership, the build up to London 2012 or alleged cheating in cricket.

We want people to find out what鈥檚 happening in the world of sport from the 91热爆 鈥� just as much as they do for politics or world affairs. This new job is a key building block in our commitment to sports journalism and we think it鈥檚 going to make a real difference to what people see, hear and read from the 91热爆 about sports news.

The reverberations of are still being felt 鈥� but not just in the world of football. They have also provoked how about how we at the 91热爆 cover stories generated by our own journalists 鈥� particularly, as in this case, ahead of the programme itself appearing.

There can鈥檛 be much room for doubt that we used not to be very good at this.
Original reporting and investigative journalism which had taken many months of effort could disappear without trace after just one transmission. You either caught it or you didn鈥檛. On one occasion, a piece which won the Royal Television Society鈥檚 home news award made no impact on the rest of our output. That just does not feel right.

Now as some commentators have noticed, things have changed. We do try to ensure that every part of the 91热爆鈥檚 journalism is aware of the stories being generated across all of our output and we ask editors to think about whether those stories are appropriate for their audience. There are some very good reasons for this.

Original journalism is both important and expensive. Finding things out and telling people about them first is at the heart of what audiences expect from news and current affairs. Every piece of original journalism we carry has been paid for by licence fee payers and they deserve to be given every possible opportunity to see, hear and read what we鈥檝e discovered.

In a world where the individual consumer is so much more in control, showcasing the best of our journalism becomes even more important. When we talk to audiences, we find time after time that people are unaware of something we鈥檝e done which they would have been particularly interested in. At a time when so much more choice is available, we need to find the best ways to highlight our strongest work.

Of course there are dangers which every editor is aware of. Some long form programmes just don鈥檛 translate easily into much shorter news reports. Some stories are so complicated and layered that they can鈥檛 be told in that way. And of course there is a danger of over-promoting ourselves. No one wants to watch a news programme which seems to consist only of trails and previews of other 91热爆 programmes and events at the expense of the day鈥檚 other news.

Ultimately there is no definitive edict about exactly how and when we showcase our own journalism. Individual editors have to decide what is right for their own programmes and audiences. But we do this in a spirit of seeking to share the best of what we do with as many people as possible 鈥� that鈥檚 a measure we feel comfortable to be judged by.

So we at the 91热爆 have had one of those 鈥渙rganisational moments鈥�, making substantial changes to how we run ourselves.

included an emphasis on 91热爆 Journalism as one of the main planks of what the 91热爆 does 鈥� alongside Audio & Music and 91热爆 Vision. The idea at the heart of 91热爆 Journalism builds on what we鈥檝e been doing over the last few years. We鈥檝e worked hard to create stronger links between the 91热爆鈥檚 journalistic output, locally, nationally and internationally. Sport now joins the mix as well.

Our aim is to ensure we fully achieve our mission of delivering the world鈥檚 best journalism and that what we do is available to as many people as possible across all appropriate platforms.

Of course this only really matters if it makes a difference to audiences. I think it will. It should help us be more ambitious in what we do across the big themes of our time 鈥� climate change, energy supply, China, global security and many more.

When all of the 91热爆鈥檚 journalists work together we can give audiences an unrivalled insight into major issues. The expertise of the World Service, the innovation of our interactive teams, the grass roots understanding from our teams across the UK can all combine to strengthen our coverage of subjects ranging from immigration to the environment.

Of course it鈥檚 happened in the past but we know we can and should do more.

Secondly it鈥檚 vital that all areas of the 91热爆鈥檚 journalism work together as we adapt to the changing technological world. Finding the right ways of offering content and the best technology to support that content needs to be thought about across the 91热爆 鈥� not just in individual areas.

What we provide in terms of news services to mobiles for example is likely to cuts across boundaries of local, national and international.

In a world where greater personalisation will be one of the key themes, audiences will be in control rather than our traditional boundaries and demarcations. There will be people who regularly want a diet of news which ranges from the local to the global and we need to make sure our way of doing things supports, rather than gets in the way of, providing this.

Journalism is at the heart of why the 91热爆 exists. The changes to the organisation reflect this and I think can only encourage anyone who wants the 91热爆 to continue to offer the best in on-the-spot reporting, analysis and explanation, robust interviewing and original story finding.

Adrian Van-Klaveren is deputy director of 91热爆 News

The educational background of journalists has been much discussed over the last few days - with the survey (read it ) of top journalists suggesting a significant bias in their education towards private schools and certain universities, above all Cambridge and Oxford (including me).

Others have tried to follow this up and today's Media Guardian reflects disappointment that we have been unable to provide figures about the educational background of all our journalists. It carries of the Times Education Supplement which claims that "while the recruitment process remains so informal, untransparent and unmonitored, it will be open to abuse".

I think this criticism is taking things too far. There is always a decision about how much monitoring to do. Our recruitment process is actually pretty closely monitored - for example we look carefully at issues of gender, disability and the progress of ethnic minority candidates. We have never felt it appropriate to monitor specifically for educational background and, given we recruit several hundred people a year, it would be a significant undertaking.

But what we try to do in our recruitment is to attract a diverse range of candidates and to build teams with a broad range of knowledge, experience and skills. Educational background is part of this diversity but so are many other factors - age, class, where people come from, and their passions and interests to name just a few. Ultimately it's about achieving the best mix of people to be able to make the best output - that does mean understanding our audiences and challenging stereotypes and preconceptions.

There are things we have done such as removing the informality from our work experience system and making much more information about audiences available to everyone. There is much more that we can and should do. But I'm not convinced that simply adding up whether people went to university and, if so, which one is going to take us a great deal further towards serving our audiences better.

There's an advert in this morning's Guardian for a sports editor for the 91热爆. We see this as a very high profile on-air role similar to that of political editor or business editor. It'll be someone who works for both 91热爆 News and 91热爆 Sport and appears on TV, radio and the web.

But why create such a job and why now?

The work we've done on both sport and journalism as part of Creative Future has highlighted how important sports news is to a large part of our audience. True, there are some who are completely uninterested but there are many for whom what is going on in the world of sport is a key part of their lives.

This group includes large numbers of younger people (especially men) who 91热爆 News often struggles to reach. Sports journalism which can offer real authority, expertise and insight is seen by them as a key part of what we need to offer in the future. We already have some outstanding sports correspondents and reporters but we hope this new role will give our sports news coverage even more weight and impact.

We are of course not alone in this. The newspapers have all expanded their sports news coverage dramatically over the past few years. There is a wealth of information about sport available on the web - often tailored to people's particular passions. But we believe that appointing a 91热爆 Sports Editor will help us achieve our aim of offering the best sports journalism available anywhere.

The 91热爆 can offer sports news at the local, regional, national and international level and we can reach everyone from the impassioned fan to the person who wants to know the headlines of what's going on in the major events. Appointing a Sports Editor of the highest calibre should give us the opportunity to claim another huge competitive advantage.